Showing results by narrator "Indira Varma" in All Categories

Everybody knows there's no such thing as a female wizard. So when the wizard Drum Billet accidentally passes on his staff of power to an eighth daughter of an eighth son, a girl called Eskarina (Esk, for short), the misogynistic world of wizardry wants nothing to do with her.

Three witches gathered on a lonely heath. A king cruelly murdered, his throne usurped by his ambitious cousin. A child heir and the royal crown, both missing.

The witches Granny Weatherwax, Nanny Ogg and Magrat Garlick are travelling to far-distant Genua to stop a wedding and save a kingdom. But how do you fight a happy-ever-after, especially when it comes with glass slippers and a power-hungry Fairy Godmother who has made Destiny an offer it can't refuse? It's hard to resist a good story, even when the fate of the kingdom depends on it....

An exclusive collection of twenty early short stories by one of the world's best loved authors, these are rediscovered tales that Pratchett wrote under a pseudonym for newspapers during the 1970s and 1980s. Whilst none of the stories are set in the Discworld, they hint towards the world he would go on to create in his award-winning and globally bestselling series, containing all of his trademark wit, satirical wisdom and fantastic imagination. These are tales which entertain, enlighten and, most importantly, make you laugh.

Tiffany Aching leaps into a dance - and suddenly the spirit of winter is in love with her. He's showering her with snowflakes and offering her a crown of ice. Which is creepy, but also just a little bit...cool. Now she's dancing to his tune. She can't change the steps. But unless Tiffany can work out how to deal with the Wintersmith, there will never be another springtime.

On Midsummer Night, dreams are especially powerful. So powerful, in fact, that they can cause the walls between realities to come crashing down. And some things you really don't want to break through.

Vampires have come to Lancre, but they're not what you'd expect. Sure, they drink blood and view humans as dinner, but they're modern and sophisticated. They've got style and fancy waistcoats. And they're not a bit afraid of garlic. The Magpyr family are out of the casket and want a bite of the future. But they haven't met the neighbours yet. Between them and Lancre stand a coven of four - Granny Weatherwax, Nanny Ogg, Magrat and young Agnes - and they don't take kindly to murderous intruders....

When Elizabeth Bennet first meets eligible bachelor Fitzwilliam Darcy, she thinks him arrogant and conceited; he is indifferent to her good looks and lively mind. When she later discovers that Darcy has involved himself in the troubled relationship between his friend Bingley and her beloved sister Jane, she is determined to dislike him more than ever. In the sparkling comedy of manners that follows, Jane Austen shows the folly of judging by first impressions and superbly evokes the friendships, gossip and snobberies of provincial middle-class life.

A nightmarish danger threatens from the other side of reality.... Armed with only a frying pan and her common sense, young witch-to-be Tiffany Aching must defend her home against the monsters of Fairyland. Luckily she has some very unusual help: the local Nac Mac Feegle - a.k.a. the Wee Free Men - a clan of fierce, sheep-stealing, sword-wielding, six-inch-high blue men. Together they must face headless horsemen, ferocious grimhounds, terrifying dreams come true and ultimately the sinister queen of the Elves herself....

The Opera House in Ankh-Morpork is home to music, theatrics and a harmless masked Ghost who lurks behind the scenes. But now a set of mysterious backstage murders may just stop the show. Agnes Nitt has left her rural home of Lancre in the hopes of launching a successful singing career in the big city. The only problem is, she doesn't quite look the part. And there are two witches who would much rather she return home to join their coven.

As the witch of the Chalk, Tiffany Aching performs the distinctly unglamorous work of caring for the needy. But someone - or something - is inciting fear, generating dark thoughts and angry murmurs against witches. Tiffany must find the source of unrest and defeat the evil at its root. Aided by the tiny-but-tough Wee Free Men, Tiffany faces a dire challenge, for if she falls, the whole Chalk falls with her.

Tiffany Aching is ready to begin her apprenticeship in magic, but life isn't exactly what she thought it would be. She expects spells and magic - not chores and ill-tempered goats! Surely there must be more to witchcraft than this? And Tiffany will find that she needs her magic more than ever, to fight off the insidious, disembodied creature that is pursuing her. This time, neither Mistress Weatherwax (the greatest witch in the world) nor the fierce, six-inch-high Wee Free Men can protect her. In the end, it will take all of Tiffany's inner strength to save herself.

We follow the fortunes of Mickey Bliss and his fellow signallers from the Lahore Division of the British Indian Army as they experience life - and death - on the front line. Meanwhile, Dr Celestine de Tullio battles to save soldiers suffering from gas gangrene and trench fever - and experiences the fighting firsthand when she enlists in the Serbian Army and commands a dangerous offensive. They are all cogs in an immense machine, one which connects situations across the whole theatre of the war, over four long years.

Nisha has crossed oceans to give her child a future. Now she spends her days caring for someone else's daughter while her own waits for her return, half a world away. For Petra, it is only natural to hire a domestic worker to keep her house clean and her family fed. Their lives have nothing in common, except the love they feel for their daughters. Then one day, Nisha vanishes. No one cares about the disappearance of a foreign domestic worker, except Petra and Nisha's secret lover, Yiannis, the only connection to her daughter back in Sri Lanka.

Deep in the Chalk, something is stirring. The owls and the foxes can sense it, and Tiffany Aching feels it in her boots. An old enemy is gathering strength. This is a time of endings and beginnings, old friends and new, a blurring of edges and a shifting of power. Now Tiffany stands between the light and the dark, the good and the bad. As the fairy horde prepares for invasion, Tiffany must summon all the witches to stand with her. To protect the land. Her land. There will be a reckoning.

Covering the whole of witching, casting spells to setting cheese, from dealing with elves to making deals with demons, from tending flocks to fending off forces from other worlds, this colourful, funny and insightful guide is a must-have for all Terry Pratchett fans.

The Rise is a gleaming residential tower, newly constructed from steel and blackened glass, that stands on some of London’s most prestigious real estate. Looming imposingly over Hyde Park, only multi-millionaires need apply for one of its sumptuous apartments. But when the young night concierge is found murdered in the building’s lobby, the elite residents quickly find their gilded lifestyles under unwelcome police scrutiny.

After losing her parents, young Mary Lennox is sent from India to live in her uncle's gloomy mansion on the wild English moors. She is lonely and has no-one to play with, but one day she learns of a secret garden somewhere in the grounds that no one is allowed to enter. Then Mary uncovers an old key in a flowerbed - and a gust of magic leads her to the hidden door. Slowly she turns the key and enters a world she could never have imagined.

England's 'Glorious Revolution' of 1688 and the reign of new monarchs William and Mary signified a turning point for Restoration comedy with laws being passed to restrict playwrights' freedoms. The latter years are marked by a shift towards more moral storylines, mixing humour with social and political issues, alongside the lighthearted 'comedy of manners'. The works in this collection bring together these complementary styles, full of humour while also focusing on hard hitting themes.

Often described as ‘the father of realism’, Henrik Ibsen was a pioneer of modernist drama. He influenced playwrights as diverse as George Bernard Shaw and Oscar Wilde, and is the most frequently performed dramatist in the world after Shakespeare. Included in this collection are adaptations of his tragicomic masterpiece The Wild Duck, his complex and compelling play Rosmersholm, the epic drama Brand and the tragedy John Gabriel Borkman.