
Nineteen Seventy Four
Red Riding Quartet
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Narrated by:
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Saul Reichlin
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By:
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David Peace
About this listen
*Please note this audiobook contains explicit language.
Jeanette Garland, missing Castleford, July 1969. Susan Ridyard, missing Rochdale, March 1972. Claire Kemplay, missing Morley, since yesterday. It’s winter, 1974, Yorkshire, Christmas bombs, Lord Lucan on the run, the Bay City Rollers, and Eddie Dunford’s got the job he wanted – crime correspondent for the Yorkshire Evening Post. He didn’t know it was going to be a season in hell. A dead little girl with a swan’s wings stitched into her back. A gypsy camp in a ring of fire. Corruption everywhere you look.
In Nineteen Seventy Four, David Peace brings passion and stylistic bravado to this terrifyingly intense journey into a secret history of sexual obsession and greed, and starts a highly acclaimed crime series that has redefined how the genre is approached.
David Peace (born 1967) is an English author. He was named one of the Best of Young British Novelists by Granta in 2003 and won the 2004 James Tait Black Memorial Prize for Fiction. He is also known for his novels GB84 and The Damned United; the latter was made into a feature film starring Michael Sheen.
©2000 David Peace (P)2010 AudibleCritic reviews
Powerful performance of a powerful story!
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So Dark You Need the Light on!
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very good but be careful - Wrexford this ain't
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Saul Reichlin performance brilliant
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Saul Reichlin, who did a brilliant job, narrating Steig Larsson's 'Millennium' trilogy, has a slightly dodgy west Yorkshire accent, but one soon gets used to it.
I'm looking forward to listening to the next three books.
This is easily a five-star listen.
Gritty Off-Beat Crime Novel Set In Leeds
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Brilliant Listen Brilliant Book
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Would you listen to Nineteen Seventy Four again? Why?
Maybe in a few years once I have recovered from the experienceWhat did you like best about this story?
Unremittingly dark and bleak, I think this is a unique experience but probably not for everyone. If you are tired of standard crime genre fiction, brilliant outsider detective solves serial killer blah blah, this is worth a listen. It is much more in the vein of Jim Thomson, where all the protagonists are flawed and their motivations are unclear. The writing can be a bit experimental in places (not Will Self standard) with some repetition of key phrases and changing of direction mid sentence, occasionally it will be unclear what section of the book is from which characters viewpoint (although you will probably figure this out in the end). I enjoyed this as it adds to whole confusing, claustrophobic, trapped up north atmosphere of the book.Which character – as performed by Saul Reichlin – was your favourite?
All the characters are memorable (BJ especially), but the one weakness of the recording is the narrators inability to do the regional accents well. Having said that he does a great job of narrating but this is due to the emotional timbre of his voice and investment in the text.Did you have an emotional reaction to this book? Did it make you laugh or cry?
I felt a bit shell-shocked upon finishing the quartet and have not reacted to a book(s) this strongly for a long time.Any additional comments?
Not a straightforward listen, but remarkable and very different to anything else out there.Darker than the inside of a coal miners wallet
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We've moved on, thankfully, in some ways. Coppers are less likely to be in the pockets of businessmen (I hope), life is not the struggle it was back then, and you and you are not nearly so likely to be beaten up for having the wrong bike/clothes/hairstyle etc. But it's all here, casual violence to strangers because they are different, the nasty men, and nasty times. Eddie is often listening to the radio in his Viva, but no matter what was on, the feeling I had through out this book was the same as the darker parts of the Specials back catalogue. A decade too early, but spot on.
Other reviewers have complained about the use of the F word in it, but in that grotty little bit of West Yorkshire that's certainly how I remember it. Shouted across the street, screamed at each other and used in place of most of the rest of the English language, especially the more emotive parts, the F word was everywhere.
The plot is a slow burner but the finale is excellent. A great listen, let down a little by the frankly very poor accent of Saul Reichlin.
Stunning, Horrible, Gripping, and Awful
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Amazing
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Best book I've read / listened to for a long time. I'm looking forward to the next one...
James Ellroy comes to 1970s West Yorkshire
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