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In pieces that are at once brilliant, beautiful and hyper-imagined, Atwood gives voices to remarkably drawn characters – mythological figures, animals and everyday people – all of whom have something to say about what it means to live in a world as strange as our own. ‘How can one live with such a heart?’ Atwood asks, casting her singular spell upon the listener, and ferrying us through life, death and whatever comes next. Walking the tightrope between reality and fantasy as only she can, Atwood’s journey through poetry illuminates our most innate joys and sorrows, desires and fears.

Whether we're tumbling with Katz in a field of yellow flowers with a group of long-haired young people what seems only a moment (but is really four decades) ago or doing yoga right now, looking out a sliver of window at moving clouds, this collection evokes the exact scenes and buzz of perception that command our daily thoughts, that usher in grace and beauty, with their quietly urgent moral qualities, which, Katz suggests, can shape our days if we allow them to.

With her trademark sensory and evocative language throughout, this book contains Hutchins's viral spoken-word pieces with tons of never-shared-before writing. Ultimately pointing listeners towards transformation, Hutchins asks us to dig deep and discover, what would happen if you allowed yourself to believe again--in dreams and miracles, but mostly, in yourself?

With electrifying boldness and fearlessness of vision, Holland-Batt confronts what it means to be mortal in an astonishing and deeply humane portrait of a father’s Parkinson’s Disease, and a daughter forged by grief. Opening and closing with startling elegies set in the charged moments before and after a death, and fearlessly probing the body’s animal endurance, appetites and metamorphoses, The Jaguar is marked by Holland-Batt’s lyric intensity and linguistic mastery, along with a stark new clarity of voice.

The collection of Kipling poetry, performed by Mark Redfield, with music by Jennifer Rouse, are taken mostly from “Barrack-Room Ballads”. The poems mostly dramatize the concerns, yearnings, emotions, and thoughts of British soldiers at war, stationed in India, or at home - now forgotten by their fellow countrymen.

In this debut poetry collection, Marina's talent for powerful, evocative song lyrics finds a new outlet as her words weave stories of resilience and self-discovery. Each poem resonates with the same creative melodies and emotional depth that have made her an artistic sensation. Hailed by The New York Times for 'redefining songs about coming of age, and the aftermath, with bluntness and crafty intelligence,' Marina delves even further into teenage trauma, youth, and the highs and lows of relationships in these profound, autobiographical poems.

Few writers have so brilliantly and poignantly conjured the desperation and absurdity of ordinary life as Charles Bukowski. Resonant with his powerful, perceptive voice, his visceral, hilarious, and transcendent poetry speaks to us as forcefully today as when it was written. Encompassing a wide range of subjects—from love to death and sex to writing—Bukowski’s unvarnished and self-deprecating verse illuminates the deepest and most enduring concerns of the human condition while remaining sharply aware of the day to day.

Poetry and science, as Popova writes in her introduction, "are instruments for knowing the world more intimately and loving it more deeply." In 15 short essays on subjects ranging from the mystery of dark matter and the infinity of pi to the resilience of trees and the intelligence of octopuses, Popova tells the stories of scientific searching and discovery.

Written after two years of artistic silence, during which the world came to a halt due to the COVID-19 pandemic and Minneapolis became the epicentre of protest following the murder of George Floyd, Bluff is Danez Smith’s powerful reckoning with their role and responsibility as a poet and with their hometown. This is a book of awakening out of violence, guilt, shame and critical pessimism to imagine how we can strive towards a new existence in a world that seems to be dissolving into desolate futures.

Words of a Goat Princess is the USA TODAY bestselling debut poetry collection about life’s struggle and triumphs from Grammy-nominated and JUNO-award winning songwriter Jessie Reyez. With the authenticity and heartbreaking relatability that her fans know and love her for, Reyez brings the breadth of her lived experience to the book format as few recording artists can. At times ethereal and visceral, these 43 poems are carefully painted moments that expertly explore love, loss, and identity with an artistry that leaps to life with every turn.

Friedrich Schiller war nicht nur genialer Dramatiker, sondern auch begnadeter Dichter. Seine Balladen und Gedichte sind noch heute Lehr- und Lernstoff, sei es das "Lied von der Glocke", "Der Taucher", "Der Ring des Polykrates" oder "Die Bürgschaft". Die zehn schönsten Werke sind in diesem Hörbuch versammelt. Außer den vorgenannten sind noch dabei: Der Handschuh, Kassandra, Ritter Toggenburg, Die Kraniche des Ibykus, Hero und Leander sowie die Ode "An die Freude".

Originally published in 1954 to honor Stevens’ 57th birthday, the book was rushed into print for the occasion and contained scores of errors. These have now been corrected in one place for the first time by Stevens scholars John N. Serio and Christopher Beyers, based on original editions and manuscripts. The Collected Poems is the one volume that Stevens intended to contain all the poems he wished to preserve, presented in the way he wanted. It is an enduring monument to his dazzling achievement.

A powerful retelling and continuation of Kahlil Gilbran's The Prophet, this book of prose poetry examines life's deeper meaning and spirituality with the Divine Feminine as a guide.

Blending humour with insight, tension with tenderness, complexity with care, Poetry Unbound articulates the power of poetry itself; it illuminates aspects of the human condition, particularly the ways we are inextricably linked to each other, and provides inspiration for grounded self-reflection.

In this playful, innovative collection, Brian Bilston writes a poem to accompany every day of the year. Each poem is inspired by a significant—often curious—event associated with that day: from Open an Umbrella Indoors Day to the day on which New York banned public flirting; from the launch of the Rubik’s Cube to the first appearance of the phrase, ‘the best thing since sliced bread’.

This is a minute-by-minute depiction of a typical night at a legendary monthly house party known as 'The Wickedest'. Here, we meet a vivid cast of characters, young and old, all surfing a revelry steeped in camaraderie, community, desire and a spirit of jubilant defiance. A modern epic, The Wickedest explores the institution of shoobs or house parties and their vital role within working-class communities. The poems range from classical English sonnets to experimental forms and are immersively interwoven with text messages and ephemera.

Catalog of Unabashed Gratitude is a sustained meditation on that which goes away—loved ones, the seasons, the earth as we know it—that tries to find solace in the processes of the garden and the orchard. That is, this is a book that studies the wisdom of the garden and orchard, those places where all—death, sorrow, loss—is converted into what might, with patience, nourish us.

The Keelie Hawk is a landmark collection from Kathleen Jamie, the current Makar (National Poet) of Scotland. For the first time, Kathleen Jamie has brought her astonishing lyric talent to the language of her homeland, with outstanding results. The Keelie Hawk is a deeply resonant collection written in Scots, with each poem accompanied by a translation into English.

In this dazzling collection, the poet, author, and conceptual/performance artist traces blackness, queerness, and desire through the legacy of 1990s and early 2000s New York City underground art movements, illuminating how their roots and undertold histories inspire today’s culture.

Often, when speaking of what he has called the poetic operation of language, Scott Cairns has characterized that event as our “glimpsing an indeterminate, inexhaustible enormity within a discrete space.” This is the poet's continuing fascination with lacunae, those spaces, those openings that offer more within than appearances can register from outside the ostensible covert of their terms. Cairns is here focused upon how an image, a word, or—in the case of the Theotokos—a womb can contain the uncontainable.