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Eve is a successful novelist who wakes up one day in a hospital bed with no memory of how she got there. Her husband, never far from her side, explains that she has had an operation to remove the large, malignant tumour growing in her brain. As Eve learns to walk, talk, and write again — and as she wrestles with her diagnosis, and how and when to explain it to her beloved children — she begins to recall what’s most important to her: long walks with her husband’s hand clasped firmly around her own, family game nights and always buying that dress when she sees it.

In January 1895 Henry James anticipates the opening of his first play, Guy Domville, in London. The production fails, and he returns, chastened and humiliated, to his writing desk. The result is a string of masterpieces, but they are produced at a high personal cost. In The Master Colm Tóibín captures the exquisite anguish of a man who circulated in the grand parlours and palazzos of Europe, who was astonishingly vibrant and alive in his art, and yet whose attempts at intimacy inevitably failed him and those he tried to love.

Flora Thompson was born in 1876 at Juniper Hill on the Oxfordshire/Northamptonshire border. She is best known as the author of Lark Rise to Candleford, that classic and evocative observation of her rural childhood which has been a best-seller since its publication in 1945. That story ends with her leaving her native Oxfordshire in 1897 for pastures new. In Heatherley she picks up the story again when she takes her first permanent post in Grayshott, a village on the Hampshire/Surrey border.

Since dropping out of school three years ago with no qualifications, no pals, and no ambition, Jamie Skelton spends most of his days asleep and most of his nights wanking, playing video games with his online friend, Lee, and occasionally making the journey downstairs to the kitchen. When Fiona, Jamie's maw, tries to get Jamie to apply for a job, he sees her as the cause for all of his problems. Then Lee tells Jamie he's realised there's a name for what they are - incels - and that there's a guy he's met through the forums they can go stay with in London, to get away from their nagging mams.

First glimpsed riding on the back of a boy’s motorcycle, fourteen-year-old Czeslawa comes to life in this mesmerizing novel by Lily Tuck, who imagines her upbringing in a village in southeastern Poland before her world imploded in late 1942. Stripped of her modest belongings, shorn, tattooed number 26947 on arriving at Auschwitz, Czeslawa is then photographed by prisoner Wilhelm Brasse. Three months later she is dead.

Inside the beleaguered city of Rome in 1944, the Contessa Giovanna Landini is a member of the band of Escape Line activists known as ‘The Choir’. Their mission is to smuggle refugees to safety and help Allied soldiers, all under the nose of Gestapo boss Paul Hauptmann. During a ferocious morning air raid a mysterious parachutist lands in Rome and disappears into the backstreets. Is he an ally or an imposter? His fate will come to put the whole Escape Line at risk.

Based on a true story, Strandloper tells the extraordinary tale of a nineteenth-century Englishman, William Buckley, who was convicted and transported to Australia. Refusing to accept his fate he escaped and lived among the Aborigines for thirty years. In this visionary novel, Alan Garner is as true to William the Cheshire bricklayer and William the Aboriginal spiritual leader, as William is true to his fate. The result is extraordinary.

L'ascension féroce d'une petite fille qui rêvait d'être célèbre. Cruel et brillant ! Cléo grandit dans une famille franco-américaine, mais tristement banale, d'universitaires. Dès l'enfance, elle n'a qu'une obsession : devenir célèbre. Elle sera chanteuse : elle a le timbre, le charisme, l'écriture, la double-nationalité. Au fil des années, Cléo saute tous les obstacles qui s'imposent à elle, arrache chaque victoire à pleine dents, s'entaille la cuisse à chaque échec.

Based on the life of cornet player Buddy Bolden, one of the legendary jazz pioneers of turn-of-the-twentieth-century New Orleans, Coming Through Slaughter is an extraordinary recreation of a remarkable musical life and a tragic conclusion. Through a collage of memoirs, interviews, imaginary conversations and monologues, Ondaatje builds a picture of a man who would work by day at a barber shop and by night unleash his talent to wild audiences who had never experienced such playing. But Buddy was also playing the field with two women, and inside his head was a ticking time-bomb.

G.W. Pabst, one of cinema's greatest, perhaps the greatest director of his era: when the Nazis seized power he was filming in France, to escape the horrors of the new Germany he flees to Hollywood. But under the blinding California sun, the world-famous director suddenly looks like a nobody. Not even Greta Garbo, who he made famous, can help him. And thus, almost through no fault of his own, he finds himself back in his homeland of Austria, which is now called Ostmark.

1135, England: Matilda, daughter of Henry I, knows that there are those who will not accept her as England's queen when her father dies. But the men who support her rival, and cousin, Stephen do not know the iron will that drives her. She will win her inheritance against all odds, and despite all men. Adeliza, Henry's widowed queen and Matilda's stepmother, is now married to a warrior who is fighting to keep Matilda off the throne. But Adeliza knows that Britain's crown belongs to a woman this time.

An awkward misfit, nine-year-old Fulke FitzWarin leaves his family for the household of Joscelin de Dinan, Lord of Ludlow. Once there, he begins to learn the knightly arts which he desperately hopes will free him from the shadows of his past. Joscelin’s youngest daughter, Hawise, befriends Fulke when he most needs it. But as the years pass, an enemy to Ludlow changes their friendship unalterably, forcing them onto opposite sides of a cruel divide.

Originally published in 1965, this autobiographical novel covers a key year in Jack Kerouac’s life—the period that led up to the publication of On the Road in September of 1957. After spending two months in the summer of 1956 as a fire lookout on Desolation Peak in the North Cascade Mountains of Washington, Kerouac’s fictional self Jack Duluoz comes down from the isolated mountains to the wild excitement of the bars, jazz clubs, and parties of San Francisco, before traveling on to Mexico City, New York, Tangiers, Paris, and London.

Disabled, disinclined to marry, and more interested in writing than a lucrative career in medicine or law, Zelu has always felt like the outcast of her large Nigerian family. Then her life is upended when, in the middle of her sister's lavish Caribbean wedding, she's unceremoniously fired from her university job and, to add insult to injury, her novel is rejected by yet another publisher. With her career and dreams crushed in one fell swoop, she decides to write something just for herself. What comes out is nothing like the quiet, literary novels that have peppered her unremarkable career.

This is a story of philosophy, identity, and the powerful grip of travel, written by an iconic American author at the height of his fame, after spending ten days in France searching for his French heritage. Was the satori handed to him by a taxi driver, a waiter, a monsieur with a dazzlingly beautiful secretary, or while feeling fearful in the foggy streets at 3:00 a.m.? Or was it when hearing a requiem by Mozart in an old church, seeing trees in the Tuileries Garden, or while walking on a bridge over the River Seine?

The spirited daughter of England's greatest knight, Mahelt Marshal, lives a privileged medieval life. But when her beloved father falls out with the volatile and dangerous King John, her world is shattered. The king takes her brothers hostage and Mahelt's planned marriage to Hugh Bigod, heir to nobility, takes place sooner than she expected.

Jayne is quiet. She keeps to herself and has no grand expectations for her days. But after a chance encounter with her elderly neighbour, Meredith, Jayne is forced to reevaluate her determination to keep the world at a distance. Meredith's dust-covered home is chaotic and neglected. And slowly, Jayne starts to grasp that Meredith herself is quite lost. She can't seem to remember anything: what she last ate, when she last went out or saw her daughter, or even Jayne's name, despite what are becoming frequent visits. But most alarmingly, Meredith can't remember where her husband is.

When Ruth Handler walks into the boardroom of the toy company she co-founded and pitches her idea for a doll unlike any other, she knows what she’s setting in motion. It might just take the world a moment to catch up. In 1956, the only dolls on the market for little girls let them pretend to be mothers. Ruth’s vision for a doll shaped like a grown woman and outfitted in an enviable wardrobe will let them dream they can be anything.

Alice tirelessly works her way up to be a #1 tennis champion, all while maintaining a growing career trajectory editing the Wonder Women comic. She enjoys her hard-earned success with her loving husband, her steadfast coach, and her dear friends—many of whom are famous and well-connected.

Wer war Hanna? Diese Frau, die so oft aus der Rolle fiel, immer mit Gedichten im Kopf, über die sie den Haushalt vergaß, die ihren Platz suchte zwischen Familie, den Erwartungen an sie und dem Wunsch, Dichterin zu werden – und nur selten für sich sein konnte? Viele Jahre nach Hannas Tod blickt die Tochter zurück auf das Leben ihrer Mutter, auf die eigene Kindheit im Rheinland der Siebziger und Achtziger, in der Hanna dafür sorgt, dass der Alltag immer etwas anders ist als üblich. Ein Leben zwischen Bürgerlichkeit und Boheme.