Women Horror

Eel Marsh house stands alone, surveying the windswept salt marshes beyond Nine Lives Causeway. Mrs Alice Drablow lived here as a recluse. Now Arthur Kipps, a junior solicitor with a London firm, is summoned to attend her funeral, unaware of the tragic and terrible secrets which lie behind the house's shuttered windows.

Late one moonlit night, Walter Hartright encounters a solitary and terrified woman dressed all in white. He saves her from capture by her pursuers and determines to solve the mystery of her distress and terror. Inspired by an actual criminal case, this gripping tale of murder, intrigue, madness and mistaken identity has never been out of print since its publication and brought Collins great fame and success.

Newly divorced Alison Kerby wants a second chance for herself and her nine-year-old daughter. She's returned to her hometown on the Jersey Shore to transform a Victorian fixer-upper into a charming-and profitable guest house. One small problem: the house is haunted, and the two ghosts insist Alison must find out who killed them.

Only a woman with an iron backbone could succeed as an undertaker in Victorian England, but Violet Morgan takes great pride in her trade. While her husband, Graham, is preoccupied with elevating their station in society, Violet is cultivating a sterling reputation for Morgan Undertaking.

Alison Kerby’s guesthouse is haunted all year round. Surviving the dead of winter, though? That’s a spooky proposition. Even with a blizzard bearing down on New Jersey, Alison can count on at least two guests—Paul and Maxie, the stubborn ghosts who share her shore town inn.

Alison Kerby's guesthouse is already crowded with spirits. The last thing she needs is a whole new batch of haunts settling in. As Alison's reputation as "the ghost lady" grows, so does her business - and not always in a way she'd like. Tourists may be flocking to her guesthouse for a chance to glimpse her resident spirits, but her special abilities are also bringing unwanted private investigation cases to her door.

Alison and her resident gumshoe ghost are on their next case when the deceased Scott MacFarlane floats in worried that he accidentally killed a prominent local woman. Turns out she's still alive...that is, of course, until she's murdered - in Alison's house. Now, between the demands of her guests and the arrival of a reality television crew, Alison must find the killer before she sees reality from the other side.

In an all-new novella in E.J. Copperman’s “funny, charming, and thoroughly enjoyable” ( Spinetingler Magazine) series, the storm of the century bears down on the haunted guesthouse, and stirs up a gale of memories for a troubled ghost. Haunted guesthouse owner Alison Kerby may have only recently discovered her ability to communicate with ghosts, but for her mother Loretta, it’s been a lifelong gift.

The ghosts haunting Alison Kerby's Jersey Shore guesthouse are sad. Maxie wants to know who murdered her ex-husband, and Paul pines for his still-living almost-fiancee. The only one who isn't missing her ex is Alison-because The Swine just arrived on her doorstep...

Rita Todacheene is a forensic photographer working for the Albuquerque police force. Her excellent photography skills have cracked many cases—she is almost supernaturally good at capturing details. In fact, Rita has been hiding a secret: she sees the ghosts of crime victims who point her toward the clues that other investigators overlook. As a lone portal back to the living for traumatized spirits, Rita is terrorized by nagging ghosts who won’t let her sleep and who sabotage her personal life.

Guesthouse owner, single mother, and reluctant ghost whisperer Alison Kerby is about to sit down to movie night with her family and friends when she's struck speechless. Floating before her is the ghost of her musical idol, 1960s English rock star Vance McTiernan. He's in desperate need of help from Alison and her resident ghostly gumshoe, Paul Harrison.

Just when she thought she'd seen everything... Detective Lieutenant Anita McElone is one of Harbor Haven's finest. She's also a hard-boiled ghost skeptic. So when she shows up on the doorstep of Alison Kerby's Haunted Guesthouse to ask for supernatural help in solving the murder of her former partner, it's hard to tell which woman is more flabbergasted. But McElone is dead serious, so Alison promises to help in any way she can - even asking her resident ghosts, Paul and Maxie, for help with the case.

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

If Alison Kerby really wanted peace and quiet, she never should have opened the Haunted Guesthouse. The Jersey Shore lodge's latest polter-guest is Richard Harrison, the recently murdered brother of long-time resident ghost PI Paul Harrison. Alas, a beyond-the-grave brotherly reunion is nowhere in the foreseeable future - phantasmal Paul left the guesthouse months ago for parts unknown, and for all her ghost-whispering prowess, Alison has no idea how to find him. And she's going to need Paul, because Richard's isn't the only murder still unsolved.

Yorkshire. 1649. Caragh has hidden her true name and her Irish identity, and since her family fled Ireland in secret they have been proud to own land of their own in England. But one morning, Caragh’s father tells her that they must leave their beloved home as it is no longer safe for them to stay. That morning, Caragh hears shots fired. When she returns to the cottage, she finds her family murdered by Lemuel Lane, a wealthy Protestant who has taken it upon himself to rid the area of anyone with Catholic sympathies.

Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart—the eccentric'—the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.

On her 21st birthday Katie Harper has only one wish: to become a real Harper woman. Mystical powers are passed down her family generation after generation - some even call them witches - yet every spell Katie attempts goes disastrously wrong. When her magic does appear, it’s in a form nobody expected, and suddenly Katie is thrown into a dangerous new world with shadowy consequences. For the realm of the deceased is not as peaceful as she once thought. The dead are buried with their secrets, and only Katie can help the ghosts of the past finally find peace.

Three muffled thuds ring from the partially filled grave of the newly wed girl. Only the verger hears them, and he dismisses the noise as his imagination. But over the next few days, others also hear faint sounds. An exhumation order is granted. Reporter Kate Hemingway sneaks into the small suburban churchyard when the coffin is opened, and the scene she witnesses is so horrific she can never forget it. As she starts work on the story, Kate finds herself caught up in a sinister and macabre cover-up.

When four sisters arrive at Applecote Manor to spend the summer, all is clearly not well. They find their aunt and uncle still reeling from the disappearance of their only daughter, five years before. No one seems any closer to finding out the truth. Why did Audrey vanish? Who is keeping her fate secret? As the sisters are lured into the mystery of their missing cousin, the stifling summer takes a shocking, deadly turn. One which will leave blood on their hands, and put another girl in danger decades later.

Professional medium turned detective Claire, her best friend Sophie (a 17-year-old ghost) and their pals are enjoying a much-needed cheap holiday in an unfinished hotel on Spike Island off the West Coast of Ireland. Claire is flattered to be asked by the local ghost of a pirate captain to investigate the theft of treasure from the shipwreck that stranded him there several hundred years ago. But just when she thinks she is closing in on the culprit, a murder takes place, and Claire and her friends quickly become the chief suspects