Religious Drama

Eighteen-year-old twins Charlene and Max Perigard have grown up under the wealthy but tyrannical rule of their oil-tycoon grandfather. When Max disappears and a ransom note shows up, Charlene's world is shattered. Fearing the worst, she determines to find her brother before it's too late.

C. S. Lewis offers a magisterial take on the literature and poetry of one of the most consequential periods in world history, providing deep insight into some of the greatest writers of the age, including Edmund Spenser, William Shakespeare, William Tyndale, John Knox, Dr. Johnson, Richard Hooker, Hugh Latimer, Christopher Marlowe, John Donne, and Thomas Cranmer.

The Pilgrim's Progress as you've never heard it before! Not only is this edition in modern English, it has been custom crafted by playwright Jim Pappas specifically for audio dramatization. Featuring 77 actors, original music, and realistic sound effects that will bring this production to life before your very ears! Arguably the most listener-friendly production of John Bunyan's immortal classic ever produced.

Shakespeare's timeless sonnets, which describe love in all its aspects, represent one of the finest bodies of poetry ever penned. They include the star-struck Sonnet 18 ("Shall I compare thee to a summer's day?"), the witty Sonnet 103 ("My mistress' eyes are nothing like the sun"), the despairing yet hopeful Sonnet 29 ("When, in disgrace with fortune and men's eyes, I all alone beweep my outcast state"), and more. Read by the legendary Sir John Gielgud.

Nathan the Wise, a play published by Gotthold Ephraim Lessing in 1779, is a fervent plea for religious tolerance. It was first performed in 1783 at the Döbbelinsches Theatre in Berlin. The narrative is set in Jerusalem during the Third Crusade and describes how the wise Jewish merchant Nathan, the enlightened sultan Saladin, and a Templar Knight bridge the differences between Judaism, Islam, and Christianity. Its major themes are friendship, tolerance, the relativism of God, a rejection of miracles and a need for communication.

This audio study guide for Doubt: A Parable by John Patrick Shanley includes detailed summary and analysis of each chapter and an in-depth exploration of the book’s multiple symbols, motifs, and themes such as the ends justifying the means, isolation, and hierarchy and gender. Featured content also includes commentary on major characters, 25 important quotes, essay questions, and discussion topics.

An intense and thought-provoking novel, Eli strips away religious tradition to present Jesus fresh and unvarnished. With gripping immediacy, Bill Myers weaves a story whose truth will refresh your faith.

This transformative audiobook invites you to imagine scenes like David, Saul, Doeg, and Ahimelech brought to life on stage, blending tragedy with a surprising dose of divine humor. Yes, humor—because the Bible shows us a Yahuwah with a profound sense of joy and laughter. As Solomon wisely said, "A merry heart does good like medicine," and the Apostle Paul reminds us, "I can do all things through Christ who strengthens me." Jesus himself was anointed with the oil of joy, bringing laughter, light, and healing wherever he went.

Joe Moore is feeling under the weather. He isn't sick. He’s just worried about his grandson's recent diagnosis of an inoperable brain tumor. As if that isn't enough, a tall, skinny man suddenly appears under the old oak tree at the end of his street. The man doesn't talk to anybody and he acts as if he's invisible to everyone around him. He sticks out though. On Doreen Street, a jagged white man who walks in twisty, jerky motions definitely sticks out.

В 1932 году выдающийся немецкий писатель Лион Фейхтвангер опубликовал роман "Иудейская война", в 1935 году последовал роман "Сыновья", в 1945-м — Настанет день. Вместе они составили трилогию, посвященную жизни римского историка и военачальника иудейского происхождения Иосифа Флавия. Священник первой чреды Иерусалимского храма, патриот и участник иудейского восстания, Иосиф бен Маттафий оказывается перед мучительным выбором: смириться с пленением или принять смерть, перейти на сторону римлян и предать веру отцов или погибнуть.

I, the ugly black kid, unwanted by an unknown father, sold for crack by a drug-addicted mother. I, the ugly black orphan who wept for love, yet no one cared. Who cried tears of blood that stained my soul with its pain. I, the ugly black orphan. The one who was raped and beat by the ones who claimed to love. The black boy who the government told: "No one will adopt an ugly black kid so learn to act white.”

Falling against the backdrop of Scandinavia's conversion to Christianity, book one of this triology begins on a farm in Viking-Age Norway. The tale is seen through the eyes of a young farm girl named Helga who is based on an original character in the antiquated Egil's Saga. Moving chapter by chapter the listener is propelled into the epic adventures of Helga's enchanting life as they experience with her relationships, love, loss, faith, religion, and politics. The saga continues in books two and three to a finale that no one - even Helga, could ever have imagined.

When the father she's had little contact with over the last 30 years shows up and announces he has a daughter from a previous relationship, (a relationship he had while married to her mother) Sidra's life begins to make some interesting turns.

FBI agent Justice West helped save his sister-in-law from a crazy clergyman. He is now on his way to meet his destiny, he just doesn't know it yet. While sucked into a vortex of secret societies and church mafia, Justice finds a rose in the middle of the desert by the name of Cadence Miller. Like Sidney, Cadence is the target of jealous church leaders who are more interested in her gift than the Creator who gave it to her. She meets Justice at a time when her vulnerability could make her lose sight of what's really important.

Some time has passed since Enough Good News and Sidney is settled into her new family, new job and new church. She soon discovers however that all that glitters isn't gold and everyone talking about heaven ain't going. Weak church leaders fall easily under the influence of dark forces targeting Sidney.

At the gathering of a new group of young people in 1973, Larry Barrett felt God tell him to "go home and start keeping a diary, because some day you will write a book about this experience". Larry immediately went home and started that journal. He thought the journal would be full of glorious miracles, mighty accomplishments, and victories. In the first entry, he wrote: "This is the account of how God's Holy Spirit works."

In the cold shadow of tragedy, hope is like a ray of sunshine.... Celia Bennett does her best to be a good mother. She is devoted to caring for her eight-year-old son Caleb and takes him to soccer practice on weekends. But in the middle of a drill, tragedy strikes...and Caleb collapses on the field. Celia rushes the unconscious boy to the hospital, hoping the doctors there can help. But their shocking diagnosis completely blindsides her, bringing her face-to-face with every parent’s worst nightmare. Her child is dying, and Celia feels powerless to help him.

Terrence Johnson has experienced a lot during his time on the planet. He's a simple guy and FBI agent trying to make the world a better place. After a lifetime of disappointment he was introduced to God and His unconditional love. He thought that once he accepted God into his life all of his problems would disappear, but he was wrong. They got worse. He's ready for a change and ready to move on, but not sure how to go about it. God provides help in the way that Terrence needs it most, by surrounding him with love.

Fall in love with The Pewsitters, a group of ordinary Christians serving an extraordinary God. Author Katherine Hussmann Klemp offers a glimpse into God's hand at work in the lives of everyday Christians through these thirty-six user-friendly scripts and devotions.

Di e con Dario Fo e Franca Rame. Messo in scena dalla Compagnia Teatrale Fo Rame Musiche di Fiorenzo Carpi Introduzione di Jacopo Fo. Era inevitabile che prima o poi Dario Fo approdasse al circo, non inteso come puro spettacolo di evasione nell'irrazionale o nel fiabesco, ma reinterpretato secondo il suo solito anche a fini di protesta e di contestazione sociale. Va in scena per la prima volta nel 1967. La registrazione dalla quale è stato estratto l'audio è del 1977.