Literary Memoir

Former bookseller, longtime publisher, and author Jon M. Sweeney shows—with history and anecdotes centering around books such as Thoreau's Journal, Tagore's Gitanjali, Martin Buber's Hasidic Tales, and Tolstoy's Twenty-three Tales—what it means to be carried by a book. He explores the discovery that once accompanied finding books, and books finding us. He ponders the smell of an old volume, its heft, and why bibliophiles carry them around even without reading them. He demonstrates how and why there is magic and enchantment that takes place between people and books.

In Arthur Golden's poised and beautifully written debut novel, Sayuri tells the extraordinary tale of her life, evoking a quarter of a century of Japan's dramatic history, 1929 through to the post-war years.

Mary Jumbelic has been obsessed with death since the loss of her father when she was 13. The sudden departure of her dad, the mother left behind, and her position as an only child led her to grow up quickly. Yet the why and how of her father's death plagued her. She chose to view an autopsy at the age of 15 and discovered a science that explained the process. College, medical school and becoming a forensic pathologist wasn't a given. She struggled before ultimately deciding on a career as a medical examiner.

Novelists, poets and playwrights live double lives, sharing the real world with everyone else while spending a good deal of time in a universe of their own making. When they fall out with each other, they are able to kindle feuds and antagonisms as passionate and public as workers in any trade. Richard Bradford’s highly entertaining audiobook looks at some of the closest and most complex relationships in literary history, examining their dramatic effects on literature itself.

Anchored by excerpts from her favorite memoirs and anecdotes from fellow writers' experience, The Art of Memoir lays bare Karr's own process. (Plus all those inside stories about how she dealt with family and friends get told - and the dark spaces in her own skull probed in depth.)

First published in 1875, General William T. Sherman's memoir was one of the first from the Civil War and was offered to the public because, as Sherman wrote in his dedication, "no satisfactory history" of the war was yet available. Although Memoirs has been revised and corrected many times over the years, Sherman famously never changed the original text of his recollections.

In this original and trenchant work, Christina Sharpe interrogates literary, visual, cinematic, and quotidian representations of Black life that comprise what she calls the "orthography of the wake". Activating multiple registers of "wake" - the path behind a ship, keeping watch with the dead, coming to consciousness - Sharpe illustrates how Black lives are swept up and animated by the afterlives of slavery, and she delineates what survives despite such insistent violence and negation.

It is not often that an author and his editor strike up a relationship which survives forty years of epistolary exchanges and intellectual sparring. The strangely enduring and occasionally fractious friendship which developed between the famously outspoken historian Ramachandra Guha and his reticent editor Rukun Advani is the subject of this quite eccentric and thoroughly compelling literary memoir.

Trying to Save Piggy Sneed contains a dozen short works by John Irving, beginning with three memoirs, including an account of Mr. Irving’s dinner with President Ronald Reagan at the White House. The longest of the memoirs, The Imaginary Girlfriend,” is the core of this collection.

Patrick Radden Keefe’s work has garnered prizes ranging from the National Magazine Award and the National Book Critics Circle Award in the US to the Orwell Prize in the UK for his meticulously reported, hypnotically engaging work on the many ways people behave badly. Rogues brings together a dozen of his most celebrated articles from The New Yorker.

'Any story that starts will also end.' As a writer, Ann Patchett knows what the outcome of her fiction will be. Life, however, often takes turns we do not see coming. Patchett ponders this truth as she explores family, friendship, marriage, failure, success and what it all means. Ranging from the personal to the sublime, each essay transforms the particular into the universal, letting us all see our own worlds anew.

Machado de Assis’ classic novel, the precursor of Latin American fiction, is finally rendered as a stunningly relevant work for 21st-century audiences. In eloquent, contemporary prose, Costa and Patterson breathe new life into the dynamic character of Brás Cubas and reveal the vivid, tempestuous Rio de Janeiro of his time. The recently deceased Cubas narrates his life story, admitting glibly: “I am not so much a writer who has died, as a dead man who has decided to write.”

Edna O'Brien was born in 1930. Her brilliant debut novel, The Country Girls, was banned in her native Ireland upon its publication in 1960. Since then she has gone on to produce some of the finest writing of the 20th century. In Country Girl we hear of a life of high drama and contemplation, of encounters with Hollywood giants, pop stars, and literary titans. It is a life gorgeously, sometimes painfully remembered, in prose that sparkles with the effortless gifts of a master.

In Russian literary marriages, the wives of some of the most famous authors of all time did not resent taking a "secondary position", although to call their position secondary does not do justice to the vital role these women played in the creation of some of the greatest literary works in history. Living under restrictive regimes, many of these women battled censorship and preserved the writers' illicit archives, often risking their own lives to do so. They established a tradition all their own, unmatched in the West.

'There are certain women,' Truman Capote wrote, 'who, though perhaps not born rich, are born to be rich.' These women captivated and enchanted Capote - he befriended them, received their deepest confidences, and ingratiated himself into their lives. From Barbara 'Babe' Paley to Lee Radziwill (Jackie Kennedy's sister) they were the toast of mid-century New York, each beautiful and distinguished in her own way. For years, Capote had been trying to write what he believed would be his magnum opus, Answered Prayers.

With deftness and skill, journalist Lili Anolik uses Babitz, Babitz's brilliance of observation, Babitz's incisive intelligence and, most of all, Babitz's diary-like letters, as the key to unlocking Didion. Franklin Avenue was the making of one great American writer: Joan Didion, a mystery behind her dark glasses and cool expression, her marriage to John Gregory Dunne as tortured as it was enduring. It was also the breaking and then the remaking - and thus the true making - of another great American writer: Eve Babitz.

Anyone who's read or listened to the classic I Know Why the Caged Bird Sings knows Maya Angelou was raised by her paternal grandmother in Stamps, Arkansas. In Mom and Me and Mom, Angelou details what brought her mother to send her away and unearths the well of emotions Angelou experienced long afterward as a result. While Angelou's first six autobiographies reveal about her out in the world, influencing and learning from statesmen and cultural icons, her final autobiography and conclusion to the series, Mom and Me and Mom, shares the intimate, emotional story about her own family.

1917. Virginia Woolf arrives at Asheham, on the Sussex Downs, immobilized by nervous exhaustion and creative block. 1930. Feeling jittery about her writing career, Sylvia Townsend Warner spots a modest workman’s cottage for sale on the Dorset coast. 1941. Rosamond Lehmann settles in a Berkshire village, seeking a lovers’ retreat, a refuge from war, and a means of becoming ‘a writer again’. Rural Hours tells the story of three very different women, each of whom moved to the country and were forever changed by it.

Oscar Wilde's life – like his wit – was alive with paradox. He was both an early exponent and a victim of 'celebrity culture': famous for being famous, he was lauded and ridiculed in equal measure. His achievements were frequently downplayed, his successes resented. He had a genius for comedy but strove to write tragedies. Matthew Sturgis draws on a wealth of new material and fresh research, bringing alive the distinctive mood and characters of the fin de siècle in the richest and most compelling portrait of Oscar Wilde to date.

In the 1970s, a single night in a remote hunting lodge with a Hollywood director and his leading lady causes an international scandal that wrecks Astrid's glittering stage career and rips apart her marriage. Her ex-husband, Scottish actor Magnus Fellowes, finds global fame, while Astrid retreats to a Sussex windmill. Now 82, she lives there still, with a troupe of dachshunds and her loyal friend, Mrs Baker, who came to clean over twenty years ago, and never left. But Mrs Baker has a troubled past too. There has been an 'Awful Incident' at the windmill; police are sniffing around.