High Rock

A long time ago, in a suburban high school not so far away, a closeted nerd (me) and a closeted soccer star (Hutch) fell in love and planned to make their public debut at prom. Until Hutch bailed at the last minute, leaving me with a broken heart and unworn tuxedo. Tale as old as time, right? I spent the past ten years working to forget Hutch, returning to our old high school to teach and make new memories that could erase ones of him. I thought Hutch was ancient history, off living his professional athlete life.

Hopalong rode into cattle country just east of the California line looking for his old friend Red Connors. He found Red holed up in a mountain cave with a bullet in his side and a story to tell. The ranchers around Tascotal had been losing their stock, and when Red caught the rustlers in the act, they hunted him down, shot him, and left him for dead. Jack Bolt, a savage, ruthless killer, has brought in a tough band of hardcases to run his operation.

With extensive, first-hand reflections from Geddy Lee, Alex Lifeson, and Neil Peart, as well as from family, friends, and fellow musicians, Anthem: Rush in the '70s is a detailed portrait of Canada's greatest rock ambassadors. The first of three volumes, Anthem puts the band's catalog, from their self-titled debut to 1978's Hemispheres (the next volume resumes with the release of Permanent Waves) into both Canadian and general pop culture context.

I should be a glitter bomb of excitement about my college friends getting married. But all I can think about is running into my uber-successful ex and his new boyfriend at the wedding . . . while I'm flying painfully solo. I need a plus one, stat. Enter Raleigh Marshall. As luck (or misfortune) would have it, a picture of me and South Rock High's too-blessed-to-be-stressed football coach accidentally finds its way on social media, making people believe we're an item. Raleigh is hot, charming, and one of South Rock's most popular teachers. The problem is that he knows it.

Levon is the dazzling, epic biography of Levon Helm - the beloved, legendary drummer and singer of The Band.

The landmark 1954 Supreme Court ruling, Brown v. Board of Education, brought the promise of integration to Little Rock, Arkansas, but it was hard-won for the nine Black teenagers chosen to integrate Central High School in 1957. They ran a gauntlet flanked by a rampaging mob and a heavily armed Arkansas National Guard-opposition so intense that soldiers from the elite 101st Airborne Division were called in to restore order.

In one month, I turn thirty-five with my virginity still intact. Is there anything more embarrassing than knowing most of my French students have gotten more action than me? Je suis triste. When I accidentally reveal this secret to my close friend and co-worker Seamus, South Rock's baseball coach, he offers to help me round the bases. It has to be a joke, because Seamus is one million percent straight. There's no way he'd want to fool around with a chubby language nerd like me, even though I've harbored a secret crush on him since the day he first walked into the teachers' lounge.

I love watching chemicals bond, but I avoid the practice myself. When I'm not teaching, I'm hanging out with my cat and putting together puzzles. I shy away from romantic entanglements because I know firsthand the collateral damage they cause. Until I bump into Anton and Sebastian: best friends, business partners, and former wrestling superstars at South Rock High who could barely pass my class. Catching up turns into drinking, which turns into dancing, which turns into them practicing wrestling moves on me, sans clothing.

Thirty years ago, Chuck Berry starred in the seminal music documentary Chuck Berry: Hail! Hail! Rock 'N' Roll, which profiled the legend during a star-studded concert celebrating his 60th birthday. Now comes the complete story behind one of America's most enduring and embattled icons. Compiled as an oral history by the film's producer, Stephanie Bennett, Johnny B. Bad combines interviews from the film's participants, including its music director - Keith Richards. These unique interviews and accounts paint a vivid and multifaceted picture of the artist.

A little dare never hurt anybody. I’m ready to rock my senior year. So what if my parents are recently divorced, the captain of the cheerleading team hates me more than tan lines, or that I’ve been forced to wear the school’s smelly mascot costume? Those things I can handle. (Maybe.) But if I get to sing my original song at the town’s big centennial event, I’ll be on my way to living the life I’ve always dreamed. But there’s only one problem: Collin thinks-he’s-God’s-gift-to-women Preston. Foster kid. Bad boy. And quarterback of the Rock Valley High football team.

The Show That Never Ends is the behind-the-scenes story of the extraordinary rise and fall of progressive ("prog") rock, epitomized by such classic, chart-topping bands as Yes, Genesis, Pink Floyd, Jethro Tull, and Emerson Lake & Palmer, and their successors Rush, Styx, and Asia. With inside access to all the key figures, Washington Post national reporter David Weigel tells the story with the gusto and insight prog rock's fans (and its haters) will relish.

John Dortmunder leaves jail with ten dollars, a train ticket, and nothing to make money on but his good name. Thankfully, his reputation goes far. No one plans a caper better than Dortmunder. His friend Kelp picks him up in a stolen Cadillac and drives him away from Sing-Sing, telling a story of a $500,000 emerald that they just have to steal. Dortmunder doesn't hesitate to agree.

Peter Rock's stunning autobiographical novel begins in the '90s on the Door Peninsula of Wisconsin. The narrator, a recent college graduate, and a young widow, Mrs. Abel, swim together at night, making their way across miles of open water, navigating the currents and swells carried by the rise and fall of the lake. The nature of these night swims, and of his relationship to Mrs. Abel, becomes increasingly mysterious to the narrator as the summer passes, until the night that Mrs. Abel disappears.

As much music history as biography, Awop Bop Aloo Mop celebrates "Little" Richard Wayne Penniman, who burst onto the American scene in 1955 with his mega-hit "Tutti Frutti." Almost by himself, Little Richard wrote the anti-rules and poured the concrete for the foundation of a new musical art form he created. Alan Freed would call it "Rock & Roll." Dubbing himself "The Architect of Rock & Roll," Little Richard was known for his wild, flamboyant performances and outrageous costumes. He also had demons he struggled with throughout his career.

The second book by Sunset Strip video vixen Bobbie Brown, Cherry on Top documents Brown's transformation from 1990s sex symbol to comedy queen, revealing the dramatic ups and downs of her biggest reinvention yet. Once the hottest girl on the Sunset Strip, the blonde beauty in the video to Warrant's 1990s hit, "Cherry Pie" is now in her late 40s, and she's letting her mouth run wild as a headliner on the comedy stage a few doors down from the rock clubs she once frequented. She's still smoking hot, but telling jokes about farting on men's balls isn't helping her find The One.

In the follow-up to Anthem: Rush in the '70s, Martin Popoff brings together canon analysis, cultural context, and extensive firsthand interviews to celebrate Geddy Lee, Alex Lifeson, and Neil Peart at the peak of their persuasive power. Rush was one of the most celebrated hard rock acts of the '80s, and the second book of Popoff's staggeringly comprehensive three-part series takes listeners from Permanent Waves to Presto, while bringing new insight to Moving Pictures, their crowning glory.

While most successful sidemen are lucky to spend a decade in the music business, multi-instrumentalist Mark Rivera is working on his fifth. Rivera has shared the stage with some of Rock 'n' Roll's greatest performers, including John Lennon, Paul McCartney, Elton John, Simon & Garfunkel, Foreigner, Peter Frampton, Tony Bennett, Sheila E., Joe Walsh, Hall & Oates, and Peter Gabriel. How does he do it while avoiding the typical pitfalls—falling out of favor with the band, burnout, depression?

How can so many people pledge allegiance to punk, something with no fixed identity? Depending on who and where you are, punk can be an outlet, excuse, lifestyle, escapism, conversation, community, ideology, sales category, social movement, punishable offense, badge of authenticity, reason to drink beer forever, or an aesthetic of belligerent incompetence. Sam McPheeters championed many different versions. Over the course of two decades, he fronted Born Against, released dozens of records and fanzines, and toured 17 times across the northern hemisphere.

Songs that sell the most copies become hits, but some of those hits become something more—iconic recordings that not only inspire a generation but also change the direction of music. In Anatomy of 55 More Songs, based on his column for the Wall Street Journal, music journalist and historian Marc Myers tells the story behind fifty-five rock, pop, R&B, country, and soul-gospel hits through intimate interviews with the artists who wrote and recorded them.

After the woman is identified as the missing daughter of a yacht designer, the police—with the exception of Emma's friend Detective Jesse Whyte—hastily conclude she is a suicide, perhaps to quiet any scandal for the Morgans, since her body was found floating near their property. But Emma suspects the woman was murdered and begins to sort through a who's who of sportsmen, boat crews, and the Newport elite in search of a stone-cold killer . . .