American Philippines

The Philippine-American War of 1899-1902 was a dramatic, world-changing conflict that shaped the century to come and revealed the early stirrings of America’s drive for global power. The conflict and its aftershocks continue to influence the Philippines and the wider region to this day, leaving a legacy of governance, society, and economic organization.

On April 27, 1898, six American ships of the line, led by the Olympia with Commodore George Dewey aboard, headed toward Manila Bay. After several days of sailing over the South China Sea, Dewey hoped to sail past the Spanish fort at Corregidor to arrive at Manila without detection, and sailed without lights in order to do so. He made it into the bay, where the naval battle with the Spanish South Pacific Squadron began in the wee hours of May 1, 1898.

Two men, each unaware of the other, share a common family secret: They were sold for adoption by their American father shortly after their births in the Philippines. Three alternating stories interweave the experiences of father Andrew Breszky and the two sons who try to connect and piece together the puzzle of their reckless, impulsive father. One lives in New York and the other grows up in the south of France, later traveling all over Asia as a documentary filmmaker. Both will discover that their relationships somehow echo that of the young man whose history eludes them.

If you want to discover the captivating history of the Spanish-American War, then pay attention...Two captivating manuscripts in one audiobook: The Spanish-American War and The Philippine-American War. The Spanish-American War really only lasted about 10 weeks (the buildup and decision to go to war took longer than the war itself), but a peace treaty was not signed until December of 1898. This was an event that was the tipping point for the end of the Spanish Empire and the rise of the US as a formidable player on the world stage.

Chiara is working on a film about an incident in Balangiga, Samar, in 1901, when Filipino revolutionaries attacked an American garrison, and in retaliation, American soldiers created "a howling wilderness" of the surrounding countryside. Magsalin reads Chiara's film script and writes her own version. Insurrecto contains within its dramatic action two rival scripts from the filmmaker and the translator - one about a white photographer, the other about a Filipino schoolteacher.

Making Moros offers a unique look at the colonization of Muslim subjects during the early years of American rule in the southern Philippines. Hawkins argues that the ethnological discovery, organization, and subsequent colonial engineering of Moros was highly contingent on developing notions of time, history, and evolution, which ultimately superseded simplistic notions about race. He also argues that this process was highly collaborative, with Moros participating, informing, guiding, and even investing in their configuration as modern subjects.

Behind Japanese Lines has a great deal to say about the relations with the Filipinos and about the problems of dealing with and fighting the Hukbalahaps, the communist guerrillas or, indeed, in opposing the Japanese. This book adds considerable insights into the significance of guerrilla warfare as it relates to modern warfare in general

In this eye-opening short story, a tech reporter’s mistake unites two women eight thousand miles apart. One in New Jersey, one in the Philippines. Same name: Sandra Guzman. Same job: content moderators for a mega social media website. What transpires between them is a friendship that changes their perceptions of each other’s privilege and challenges the power of the very industry they work for.

Si quiere descubrir la fascinante historia de la guerra entre Filipinas y Estados Unidos entre 1899-1902, siga leyendo.... En La Guerra Filipina-Estadounidense (1899-1902): Una fascinante guía de la insurrección filipina que comenzó cuando los Estados Unidos de América reclamaron la posesión de las Filipinas, descubrirá temas como.

Rosario, a Filipina novelist in New York City, has just learned of her mother's death in the Philippines. Instead of rushing home, she puts off her return by embarking on a remote investigation into her family's history and her mother's supposed inheritance, a place called La Tercera, which may or may not exist. Rosario catalogs generations of Delgado family bequests and detritus: maps of uncertain purpose, rusted chicken coops, a secret journal, the words to songs sung at the family home during visits from Imelda Marcos.