Showing results by narrator "Robert Greenberg" in All Categories

Ludwig van Beethoven is justifiably acclaimed as one of the most revered composers in the history of Western music-a genius once characterized as a "Titan, wrestling with the gods." There is no better way for you to understand the full impact of that description than to not only listen to all nine of his magnificent symphonies, but to do so with a full understanding of what this great composer was saying and the circumstances that drove him up to and beyond what had once been considered the limits of musical expression.

More than many other composers, Gustav Mahler's works are highly personal expressions of his inner world, a world of overwhelming alienation and loneliness. You'll learn, through both lectures and musical excerpts, how his symphonies are vast repositories of his intellectual, emotional, and spiritual expression that made him the first exponent of Expressionism, the early 20th-century art movement that celebrates inner reality as the only reality - but explored by Mahler using the musical language of the century just ended.

More than anyone before him-more than Beethoven, Byron, even the preternatural Paganini-it was Franz Liszt who created one of the most enduring archetypes of the Romantic era: that of the artist "who walks with God and brings down fire from heaven in order to kindle the hearts of humankind." An innovative composer both for his own instrument and on an orchestral scale, Liszt was without a doubt the greatest pianist of his time and perhaps the greatest of all time, stunning even the most jaded critics and listeners everywhere he went with his sheer virtuosity and almost unbelievable musical gifts-even while playing whatever instrument was available in whatever hall he could find during his arduous travels by mail coach throughout Europe. Yet even though his fame and achievement make him one of the most written about composers of the 19th century, musically he remains the least understood. And as for his life, perhaps a good place to begin is with Felix Mendelssohn's observation that Liszt's character was "a continual alternation between scandal and apotheosis." Still-for every lover of music, Liszt remains someone you must understand, and this 8-lecture series is an ideal place to begin your acquaintance with both the man and his music.

In all the annals of Western music, there has never been a couple like the Schumanns: he a pioneering critic and composer (the only ever to achieve greatness as both), she one of the leading concert pianists of Europe, as well as a composer of no small talent herself. This series of eight lectures by an award-winning composer and acclaimed teacher includes excerpts of works by both of the Schumanns as part of an introduction to an extraordinary couple and the musical legacy left to us in spite of the difficulties that dogged their marriage.