Showing results by narrator "Ian Putnam" in All Categories

How do you describe success? How do you describe where you're at with your life right now? These questions were one of the first questions I had asked myself that prompted me to start my journey to self improvement, and change my ways of thinking, and stories in this book may resonate with you. It does not mean you have to be in a really tight spot. The purpose of this book is to lightly touch on ideas and concepts that helped me improve my day to day significantly.

Drawing on the example of post-WWII Britain and looking ahead at America in the 2020s, Jed Esty suggests that becoming a second-place nation is neither disastrous, as alarmists claim, nor avoidable, as optimists insist. Contemporary declinism often masks white nostalgia and perpetuates a conservative longing for Cold War certainty. But the narcissistic lure of "lost greatness" appeals across the political spectrum.

Sin, the newest contribution by Gregory Mellema, provides a short and lively summary of what contemporary philosophers are saying about the relationship between the traditional theological category of sin and contemporary philosophical ethics.

Business owners, consumers, and employees have long relied on the news to make financial decisions—what to buy, who to hire, and what products to sell. In the 21st century, that news has shifted. Only the big businesses and executives can afford expensive subscriptions, while most consumers and small-business owners are left scrambling to find the news they need to succeed and thrive. The Future of Business Journalism explores how the field evolved into this divide and offers solutions on how business journalism can once again provide the stories and content that a broad society needs.

What grounds the fictional world of a novel? Or is such a world peculiarly groundless? In a powerful engagement with the latest debates in novel theory, Daniel Wright investigates how novelists reckon with the ontological status of their works. Philosophers who debate whether fictional worlds exist take the novel as an ontological problem to be solved; instead, Wright reveals the novel as a genre of immanent ontological critique.