Showing results by narrator "Sneha Mathan" in All Categories

With The Best Science Fiction of the Year: Volume 3, award-winning editor Neil Clarke provides a year-in-review and 27 of the best stories published by both new and established authors in 2017.

An experienced psychologist, Maggie carefully maintains emotional distance from her patients. But when she meets a young Indian woman who tried to kill herself, her professional detachment disintegrates. Cut off from her family in India, Lakshmi is desperately lonely and trapped in a loveless marriage to a domineering man who limits her world to their small restaurant and grocery store.

With The Best Science Fiction of the Year: Volume Six, award-winning editor Neil Clarke provides a year-in-review and 33 of the best stories published by both new and established authors in 2020.

After years of dancing in Mumbai’s bars, Tara Mondal was desperate for a new start. So when a client offered her a life-changing payout to indulge a harmless, if odd, fantasy, she accepted. The setup was simple: wear a blue-sequined saree, enter a crowded railway station, and escape from view in less than three minutes. It was the last time anyone saw Tara.

In the wake of her mother's death, Shalini, a privileged and restless young woman from Bangalore, sets out for a remote Himalayan village in the troubled northern region of Kashmir. Certain that the loss of her mother is somehow connected to the decade-old disappearance of Bashir Ahmed, a charming Kashmiri salesman who frequented her childhood home, she is determined to confront him. But upon her arrival, Shalini is brought face to face with Kashmir's politics, as well as the tangled history of the local family that takes her in. And then life in the village turns volatile and old hatreds threaten to erupt into violence.

India’s only female lawyer, Perveen Mistry, is compelled to bring justice to the family of a murdered female Parsi student just as Bombay’s streets erupt in riots to protest British colonial rule. Sujata Massey is back with this third installment to the Agatha and Mary Higgins Clark Award-winning series set in 1920s Bombay.

Translating Myself and Others is a collection of candid and disarmingly personal essays by Pulitzer Prize–winning author Jhumpa Lahiri, who reflects on her emerging identity as a translator as well as a writer in two languages. With subtlety and emotional immediacy, Lahiri draws on Ovid's myth of Echo and Narcissus to explore the distinction between writing and translating, and provides a close reading of passages from Aristotle's Poetics to talk more broadly about writing, desire, and freedom.

Amid incessant rains pounding down on Mumbai, Senior Inspector Arnav Singh Rajput is called to a shocking crime scene. A male body is found dismembered on the steps of a Kaali temple. Drawn into his flesh are symbols of a tantra cult. The desecration of a body at a Hindu place of worship puts the city on edge and divides Arnav’s priorities: stopping a fanatic from killing again and caring for his wife who’s struggling through a challenging pregnancy.

Thirsty for fresh blood? Sink your teeth into vampire stories from young adult fiction's leading voices. In this delicious new collection edited by Zoraida Córdova and Natalie C. Parker, you’ll find stories about the lurking vampires of social media, the rebellious vampires hungry for more than just blood, the eager vampires coming out - and going out for their first kill - and other bold, breathtaking, dangerous, dreamy, eerie, iconic, powerful creatures of the night.

Delhi, the near future: a former journalist goes in search of answers after she finds herself stripped of identity and citizenship and thrust into a vast conspiracy involving secret detention centers, government sanctioned murders, online rage, nationalist violence, and a figure of shifting identifies known as the “New Delhi Monkey Man.” Bhopal, 1984: an assassin hunts a whistleblower through a central Indian city that will shortly be the site of the worst industrial disaster in history. Calcutta, 1947: a veterinary student’s life and work connect him to an ancient Vedic aircraft.

1964 Karachi, Pakistan. Rozeena will lose her home—her parents' safe haven since fleeing India and the terrors of Partition—if her medical career doesn't take off soon. But success may come with at a price. Meanwhile the interwoven lives of her childhood best friends—Haaris, Aalya, and Zohair—seem to be unraveling with each passing day. The once small and inconsequential differences between their families' social standing now threaten to divide them. Then one fateful night someone ends up dead and the life they once took for granted shatters.

The Story of Mankind revolutionized former methods of telling history. It received the first Newbery Medal for the most distinguished contribution to American literature for children. Nevertheless, critics and public alike hailed it as a book for all ages. Van Loon recounts history as living news, relating everything in the past to the present. He writes informally, making world history wonderfully alive and exciting.

Orphaned at birth, 17-year-old Korobi Roy is the scion of a distinguished Kolkata family and has enjoyed a privileged, sheltered childhood with her adoring grandparents. But she is troubled by the silence that surrounds her parents’ death and clings fiercely to her only inheritance from them: the love note she found hidden in her mother's book of poetry. Korobi dreams of one day finding a love as powerful as her parents’, and it seems her wish has come true when she meets the charming Rajat, the only son of a high-profile business family....

India, 1857. Meera's future has been planned for her for as long as she can remember. As a child, her parents married her to a boy from a neighboring village whom she barely knows. Later, on the eve of her thirteenth birthday, she prepares to leave her family to live with her husband's—just as her strict religion dictates. But that night, Indian soldiers mutiny against their British commanders and destroy the British ammunition depot, burning down parts of Delhi. Riots follow, and Meera's husband is killed.

In this transfixing novel, a young woman comes of age in 1960s- and 1970s-era Bombay, a vanished world that is complex and indelibly rendered. Vidya’s childhood is marked by the shattering absence and then the bewildering reappearance of her mother and baby brother at the family home.

In life, spiritual paths are often as unique as we are. Bringing together the voices of four women mystics walking very different spiritual paths, poet Arundhathi Subramaniam reveals the expansive potential of forging an intimate, personal connection with the divine. Sensitive, insightful, and lyrical, Women Who Wear Only Themselves bathes us in the kind of mystery that feels deeply familiar and invites us to connect with whatever sparks our spiritual fire.

This modern, groundbreaking YA anthology explores the complexity and beauty of interracial and LGBTQ+ relationships where differences are front and center. When people ask me what this anthology is about, I'm often tempted to give them the complicated answer: It's about race and about how being different from the person you love can matter but how it can also not matter, and it's about Chinese pirate ghosts, black girl vigilantes, colonial India, a flower festival, a garden of poisons, and so, so much else.

Both entertaining and instructive, High Noon offers valuable lessons for taking charge of your destiny and succeeding in a fast-paced, unpredictable, and even hostile environment. It is the inside story of Sun Microsystem's rise to power, from its shaky start in Silicon Valley through its transformation under the aggressive and inspirational leadership of Scott McNealy.

Lovely and Beauty know their place: at home, beneath the watchful eye of their mother. Life has never included friends, an education, or anything the sisters can call their own. Their comings and goings are supervised by Farida. Otherwise, they don’t come and go at all. That changes on Lovely’s fortieth birthday. In a stroke of inexplicable fortune, Farida permits her eldest daughter to go to the Gausia Market alone, with no instructions but to abide by her curfew. For once on her own, Lovely is goaded by the voice in her head to push her mother’s—and her own—boundaries.

Calcutta, 1886. Ottilie Russell is adrift between two cultures, British and Indian, belonging to both and neither. In order to support her little brother, Thaddeus, and her grandmother, she relies upon her skills in beetle-wing embroidery that have been passed down to her through generations of Indian women. When a stranger appears with the news that Thaddeus is now Baron Sunderson and must travel to England to take his place as a nobleman, Ottilie is shattered by the secrets that come to light.