Showing results by narrator "Leila" in All Categories

It is 1644, and Parliament’s armies have risen against the King and laid siege to the city of York. Even as the city suffers at the rebels’ hands, midwife Bridget Hodgson becomes embroiled in a different sort of rebellion. One of Bridget’s friends, Esther Cooper, has been convicted of murdering her husband and sentenced to be burnt alive. Convinced that her friend is innocent, Bridget sets out to find the real killer.

The opposite of love isn't hate. It's Victor. My boyfriend's back. But not like before. He used to be a mafia prince. Now he's a king. Dark, cruel, and commanding. My father destroyed him, and the payback price for that is 10 years of ownership.

Victor. No last name. Totally mysterious. He doesn't talk. He's insanely hot. And now...I'm supposed to be spending every Thursday with him??? When my dad asked me to tutor the son of an important business associate, I thought I was agreeing to teach a little kid. Victor's definitely not a kid. In fact, it's hard to believe we're even the same age. He's way more powerful than any boy I've ever met.

It is August, 1645, one year since York fell into Puritan hands. As the city suffers through a brutal summer heat, Bridget Hodgson and Martha Hawkins are drawn into a murder investigation more frightening than their last. In order to appease God’s wrath—and end the heat-wave—the city’s overlords have launched a brutal campaign to whip the city’s sinners into godliness. But for someone in York, this is not enough. First a prostitute and her client are found stabbed to death, then a pair of adulterers are beaten and strangled.

It’s not news that women have been denied the same educational and institutional opportunities, resources, and access as men, and that science’s history is often told through the stories of great men, with a few great women making an appearance here and there. But that approach misses the big picture. The history of science isn’t complete without women.

When asked if they'd rather receive aid or work, the world's poorest people will always choose work. But the world's richest countries continue to send aid, targeting the symptoms, not the causes of poverty. Western countries have the best intentions, but charity-based aid often does more harm than good, and billions of people continue to suffer. According to Leila Janah, giving dignified, steady, fair-wage work is the most effective way to eradicate poverty.

It is 1644, and Parliament's armies have risen against the King and laid siege to the city of York. Even as the city suffers at the rebels' hands, midwife Bridget Hodgson becomes embroiled in a different sort of rebellion. One of Bridget's friends, Esther Cooper, has been convicted of murdering her husband and sentenced to be burnt alive. Convinced that her friend is innocent, Bridget sets out to find the real killer.

Winter has come to the city of York, and with it the threat of witchcraft. As women and children sicken and die, midwife Bridget Hodgson is pulled against her will into a full-scale witch-hunt that threatens to devour all in its path, guilty and innocent alike. Bridget - accompanied once again by her deputy Martha Hawkins and her nephew Will Hodgson - finds herself playing a lethal game of cat and mouse against the most dangerous men in York, as well as her sworn enemy Rebecca Hooke.

Prêtes à libérer la force qui est en vous et à conquérir les défis de la gestion du temps avec une confiance inébranlable ? Procurez-vous un exemplaire de "Gestion du temps pour les femmes audacieuses atteintes de TDAH", un guide révolutionnaire qui permet aux femmes redoutables atteintes de TDAH de maîtriser le temps, de venir à bout des tâches et de réussir selon leurs propres conditions.

Dr. Samantha Willerby, a specialist in post-traumatic stress, has never seen anything like this before. Following a fire on the London Underground, three survivors seek her help, but although unmistakably traumatized, their stories don’t match the facts. Are they "faking it"? Sam’s confusion turns to horror when one by one, instead of recovering, they are driven to suicide. When her lover, Conrad, begins to suffer the same terrifying flashbacks, Sam is desperate to find out what’s causing them. Then a mysterious and chilling conspiracy begins to unravel....

When a young woman falls to her death from a balcony, everyone thinks she lost her balance taking a daredevil selfie - until Psychologist Samantha Willerby steps onto the scene. Called in by the Met to examine a series of cold cases, she uncovers a chilling link between this death and two others. The victims have one shocking detail in common: Their hair was hacked off exactly seven days before they were killed.

Ein gütiger Riese lebt sehr weit von hier entfernt, in einer magischen Welt. Eines Tages fällt ihm eine außergewöhnliche Blume auf, die in der Mitte eines Blumenfeldes wächst. Er verliebt sich in diese zauberhafte Blume. Aber die Blume ist selbstverliebt. Sobald der gütige Riese ihre Wünsche erfüllt hat, will sie ihn nie wiedersehen. Der gütige Riese ist sehr traurig, aber bald entdeckt er ein Geheimnis, das ihn sehr glücklich macht.

Tales Season Two delves even further beyond the pale with eight explosive tales to tickle your fancy and curdle your blood. The series is produced by filmmakers Larry Fessenden & Glenn McQuaid; Associate producers Lisa Wisely, Jenn Wexler. In 'Sarah Minds The Dog' by Kim Newman, well-mannered, well-brought-up young Englishwoman, Sarah, gets herself into a bit of a pickle when left in charge of the much loved Rottweiler of a Russian mob boss.

Alle Menschen in Bimmelburg fürchten den zweiköpfigen Drachen. Er lebt in einer Höhle und fliegt jeden Tag über das Königreich hinweg. Das macht den Menschen große Angst. Eines Tages macht sich ein kleiner Junge auf den Weg zur Höhle des Drachen, um ihn zu besiegen und Bimmelburg vom Schrecken zu befreien. Aber was der Junge durch seine Auseinandersetzung mit dem Drachen erreicht, ist viel schöner.

Captain Mona Shindy’s story is one of love, faith, courage, tenacity and, at times, of extreme bias. She takes the listener through her childhood, growing up in Sydney with hardworking immigrant parents who wanted nothing more than for their children to do well in life and be happy. From an early age, Mona travelled the paths less trodden–not only by women, but by women of Muslim faith.

Zebra is the last in a line of anarchists, atheists, and autodidacts. When war came, her family didn't fight; they took refuge in books. Now alone and in exile, Zebra leaves New York for Barcelona, retracing the journey she and her father made from Iran to the United States years ago.

Decoding "Despacito" tracks the stories behind the biggest Latin hits of the past 50 years. From the salsa born and bred in the streets of New York City, to Puerto Rican reggaetón and bilingual chart-toppers, this rich oral history is a veritable treasure trove of never-before heard anecdotes and insight from a who's who of Latin music artists, executives, observers, and players. Their stories, told in their own words, take you inside the hits, to the inner sanctum of the creative minds behind the tracks that have defined eras and become hallmarks of history.

Mo und der weise Elf Arc ist ein modernes Märchen. Es handelt von einem schüchternen kleinen Jungen namens Mo. Als Mo von einer Gruppe älterer Jungs verspottet und gehänselt wird, sehnt er sich die Erfüllung eines dringlichen Wunsches herbei. Ein weiser Elf namens Arc hört seinen Wunsch. Arc nutzt seine letzten magischen Kräfte um den Wunsch des kleinen Jungen zu gewähren. Aber kann Mo sich genug vertrauen, um Arcs Magie zur Geltung zu bringen?

In einem großen Schloss sitzt ein mächtiger König auf seinem Throne und langweilt sich. Der König ist sehr traurig und sein tiefes Unglück droht ihn bald zu zerstören. Sein ganzes Volk steht ihm hilflos gegenüber. Nur ein kleines Mädchen kann ihn retten.

Told in alternating narratives that bridge centuries, the latest novel from New York Times best-selling author Samira Ahmed traces the lives of two young women fighting to write their own stories and escape the pressure of familial burdens and cultural expectations in worlds too long defined by men.