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Despite living a short life, and having a relatively small output, John Keats (1795-1821) has become one of the most celebrated English poets. This brief biography covers the important events of his life and provides a charming portrait of one of the most appealing and tragic figures of English literature.

This brief and lively pamphlet on the history of the medieval church is a concise and entertaining introduction to an extremely complex subject. Covering the period between the seventh century and 1500, the author provides succinct summaries of major developments like the Crusades, the growth of scholastic and mystical theology, the removal of the Papacy to Avignon, and the great councils convened to resolve the papal schism.

This collection of 35 poems is a sequel to a volume of lyrical ballads first published in 1798. While the first volume was a collaboration between Wordsworth and Samuel Taylor Coleridge, this anthology contains verses by Wordsworth only. Generally, the poems are less well-known than those of the earlier volume but do include major narrative pieces, like "The Pastoral Epics", "The Brothers", and "Michael".

Keats commenced writing his epic poem, Hyperion, in 1818 and ceased working on it in the spring of 1819. He said that he gave the project up for having "too many Miltonic inversions." The unfinished poem, which ceases in the middle of the third canto, was published in 1820. The narrative is based on the Titanomachia, or War of the Titans, and describes the aftermath of their fall to the Olympian Gods.

Troward delivered these lectures at the Doré Gallery, Bond Street, London, in 1909. They were published in book form in the same year. Troward's basic thesis is that while the laws of the universe can never be broken, they can be made to work under special conditions, which will produce unexpected and remarkable results. The achievement of these results require the activation of what Troward terms the "personal factor", that, namely, of an intelligence which sees beyond the present limited manifestation of the law and thus enables the exploration of its infinite possibilities.

Sense and Sensibility follows the fortunes of sensible Elinor and her volatile younger sister, Marianne, as each searches for a spouse—a quest made urgent by the family’s financial embarrassment. While Elinor pursues the heart of clergyman, Edward Ferrars, Marianne impulsively falls in love with a glamorous but unscrupulous adventurer, Willoughby. Elinor sees trouble brewing but the enraptured Marianne does not. The sisters question each other’s choices in love.

Although his output was small, John of the Cross (1542 - 1591) is considered one of the most important figures in Spanish poetry. All his verses explore the same theme: the search of the soul for union with its creator and the glory of the resulting "mystical marriage". This selection of 20 poems opens with his most famous poem, "The Obscure Night of the Soul" and concludes with a free translation of "Psalm 137 (By the Waters of Babylon)".

During his lifetime, Hopkins, who was ordained as a Jesuit priest, was best known as a scholar and a teacher of languages. In his youth, he composed poetry prolifically, but destroyed all his juvenile work in 1867. In 1874, he commenced writing poetry again, but little of his verse was published in his lifetime. His work was rescued from obscurity by his friend and supporter, Robert Bridges, who later became poet laureate.

First published in 1711, An Essay on Criticism was one of Pope's earliest major poems. As the title suggests, it is an exploration of what Pope considered to be the essential aspects of good critical writing.

In the Greek legend, a sculptor, Pygmalion, created a statue of a woman so beautiful that he fell in love with it. Later the goddess Aphrodite responded to his earnest prayers and brought the statue, named Galatea, to life. Shaw's Pygmalion is a fussy unmarried professor of phonetics, Henry Higgins, who claims that he could train an uneducated person off the street to speak so that he or she could pass as a member of the aristocracy. His Galatea is Eliza Doolittle, who sells flowers at Covent Garden and whose father is a dissipated but cunning vagrant.

The story of the adventures of the mythical hero Gilgamesh is the most considerable literary production that has come down to us from ancient Babylonia. Unfortunately, it was not preserved in complete form. This recording is of the fullest translation which had yet been issued in English when it was first published in 1917.

The Waste Land by T. S Eliot is narrated by Danielle Cohen and Denis Daly. Eliot's cross-cultural epic poem, first published in 1922, remains one of the most challenging poems in the English language. It is dedicated to Eliot's mentor, Ezra Pound. Like Pound, Eliot reveled in drawing allusions and quotations from a vast body of world literature.

Have you been lately to Lake Pipple Popple? Perhaps you have spotted the Pobble who has no toes? Or maybe you have roosted in the Quangle Wangle’s hat? Certainly Mr. Edward Lear has (he’s written all about it). And now, you can listen to his tales read aloud, full of rhyme, rhythm, and words that you won’t find in the dictionary!

Thomas Love Peacock was a linguist, scholar and East India Company official. He had a wide circle of literary friends, including Coleridge and Shelley, and his early works were poems, some of a considerable length. In 1815 his first novel, Headlong Hall, was published, and between that year and 1831, he published a further five novels. His final completed novel, Gryll Grange, was written in 1860 and published the following year. Peacock also produced a number of articles on literary and historical subjects, and some other long poems, which have faded into obscurity.

The Jumblies and Other Nonsense Verses by Edward Lear. Narrated by Denis Daly, Sarah Bacaller, and Lucy Bacaller. These 14 poems have been drawn from the Nonsense Books of Edward Lear.

Spring Awakening (German: Frühlings Erwachen) was the first major play by Frank Wedekind. It was written in the early 1890s but, due to opposition from censorship authorities, was not presented on stage until 1906. The play explores two contentious themes: the development of adolescent sexuality and the repressive nature of the German education system.

John Donne (1573-1631) is considered by many to be the finest poet of the Elizabeth Age after Shakespeare. Ironically, poetry was not Donne's dominant preoccupation. In his own day, he was better known as a scholar, and, in later life, a clergyman. His verse was composed sporadically and in an offhand fashion and appears not to have been subjected to revision. In spite of occasional solecisms, his poetic verbiage is vigorous and compelling and marked by a striking use of imagery.

This lyrical ballad is one of Tennyson's most famous poems. The subject, the tragic passing of a reclusive noblewoman, was suggested by a 13th-century Italian romance, the Donna di Scalotta.

This collection of miscellaneous essays was published posthumously in 1921. In the first and largest section, The Hidden Power, the author identifies Spirit as the "innermost within" of all things and the unseen essence of all phenomena. He develops this proposition to claim that Spiritual Science has fixed laws just as does Physical Science, and that an understanding of the laws could enable man to develop powers of which he is currently unaware. The other essays cover a range of topics relating to metaphysics, the Bible and other arcana of religion.

This poem, rich in its palette of human emotions, is couched in simple narrative language. Some critics have sought to interpret the poem as an allegory and find a specific meaning for every phrase and picture, but the richness of its symbolism is not favorable to this kind of treatment. In some ways, it resembles a piece of music. Each mind can draw from it a personal, and, to the individual, satisfactory interpretation.