Showing results by author "Michael Connelly" in All Categories

Mickey Haller is a Lincoln lawyer, a criminal defence attorney who operates out of the back of his car, a Lincoln, taking whatever cases the system throws in his path. He's been in the business a long time, and he knows just how to work it. When a Beverly Hills rich boy is arrested for brutally beating a woman, Haller has his first high-paying client in years. The evidence mounts on the defence's side, and Haller might even be in the rare position of defending a client who is actually innocent.

Heading home after winning his latest case, Defence Attorney Mickey Haller - the Lincoln Lawyer - is pulled over by the police. They open the trunk of his car to find the body of a former client. Haller knows the law inside out. He will be charged with murder. He will have to build his case from behind bars. And the trial will be the trial of his life. Because Mickey Haller will defend himself in court.

Harry attacked his commanding officer and is suspended indefinitely, pending a psychiatric evaluation. At first he resists the LAPD shrink, but finally recognizes that something is troubling him and has for a long time. In 1961, when Harry was 12, his mother, a prostitute, was brutally murdered with no one ever accused of the crime.

Harry Bosch is up to his neck in a case that has transfixed all of celebrity-mad Los Angeles: a movie director is charged with murdering an actress during sex and then staging her death to make it look like a suicide. Bosch is both the arresting officer and the star witness in a trial that has brought the Hollywood media pack out in full-throated frenzy. Meanwhile, Terry McCaleb is enjoying an idyllic retirement on Catalina Island when a visit from an old colleague brings his former world rushing back.

They're called Lincoln Lawyers: the bottom of the legal food chain, the criminal defence attorneys who operate out of the back of a Lincoln car, travelling between the courthouses of Los Angeles county to take whatever cases the system throws in their path.

A brand new Harry Bosch short story from bestselling crime writer Michael Connelly. When the department's sorter takes a call from an anonymous witness to a cold case murder, she takes it straight to Harry Bosch who finds the accused in San Quentin. He's locked away for a different murder but only a few months away from a parole hearing which is likely to see him walking free. New methods find DNA on the murder weapon but having sat in an archive for 20 years, it's not strong enough to take to court.

It starts with the body of a Hollywood producer in the trunk of a Rolls-Royce, shot twice in the head at close range - what looks like "trunk music", a Mafia hit. But the LAPD's organized crime unit is curiously uninterested, and when Harry follows a trail of gambling debts to Las Vegas, the case suddenly becomes more complex - and much more personal.

When down-at-heel lawyer Mickey Haller gets the news that his old colleague Jerry Vincent has died, he also gets an unexpected windfall. Jerry had left instructions that Mickey should inherit all of his clients - putting Mickey's stalled career back on track at a stroke. Not only that, but Vincent was about to go to bat for Walter Elliot, the Hollywood mogul accused of brutally slaying his wife and her lover, in a trial that promises big fees and an even bigger place in the media spotlight.

When a physicist is murdered in LA it seems the killer has no fear of publicity, leaving the body on The Mulholland overlook, a site with a stunning view over the city. And when it's discovered that the victim turned over a quantity of a lethal chemical to his killer before he died, Harry knows he has more than just a single death to worry about. Alongside the forces of Homeland Security, Harry realises he must solve the murder or face unimaginable consequences.

Jack McEvoy is at the end of the line as a crime reporter. Forced to take a buy-out from the LA Times as the newspaper grapples with dwindling readership and revenues, he's got 30 days left on the job. His last assignment? Training his replacement, a low-cost reporter just out of J-school who couldn't find the police station if it was right next door to the Times, which it is.

Three stories, brought together in one edition, from 'crime-writing genius' Michael Connelly. In the title story, a fatal accident on Mulholland Drive turns out to be part of an ingenious plot - but is it too ingenious? In Two Bagger, a dedicated cop working for the Gang Intelligence Unit finally gets the payoff he's worked so hard for - but it's not what he's expecting. In Cahoots, a team of scam artists meet for a high-stakes poker game but who is scamming who?

Veteran reporter Jack McEvoy has taken down killers before, but when a woman he had a one-night stand with is murdered in a particularly brutal way, McEvoy realises he might be facing a criminal mind unlike any he's ever encountered. McEvoy investigates - against the warnings of the police and his own editor - and makes a shocking discovery that connects the crime to other mysterious deaths across the country. But his inquiry hits a snag when he himself becomes a suspect.

In elderhood, the health care system has a narrow view of how to provide care. It focuses on extending a patient's life at all costs, with an over-reliance on machines and procedures, instead of caring holistically for the person. Accordingly, many of us will likely spend our final weeks in long-term care facilities or an ICU. Dying at home, peacefully, and surrounded by family is almost impossible in our world—and our fear of death is a major contributor to this impossibility.

Henry Pierce has a whole new life - new apartment, new telephone, new telephone number. But the first time he checks his messages, he discovers that someone had the number before him. The messages on his line are for a woman named Lilly, and she is in some kind of serious trouble. Pierce is inexorably drawn into Lilly's world, and it's unlike any world he's ever known. It is a night-time world of escort services, websites, sex, and secret identities.

Harry Bosch finds himself yet again in charge of a case that no one else will touch. This time his job is to nail the killer of hot shot black lawyer Howard Elias. Elias has been found murdered on the eve of going to court on behalf of Michael Harris, a man the LAPD believes guilty of the rape and murder of a twelve-year-old girl. Elias had let it be known that the aim of his civil case was not only to reveal the real killer but to target and bring down the racist cops who beat up his client during a violent interrogation.

When Mickey Haller is invited by the Los Angeles County District Attorney to prosecute a case for him, he knows something strange is going on. Mickey's a defense lawyer, one of the best in the business, and to switch sides like this would be akin to asking a fox to guard the hen-house.

When the bones of a boy are found scattered in the Hollywood Hills, Harry Bosch is drawn into a case that brings up dark memories from his past. Unearthing hidden stories, he finds the child's identity and reconstructs his fractured life, determined that he won't be forgotten. At the same time, a new love affair with a female cop begins to blossom - until a stunningly blown mission leaves him in more trouble than ever before.

In "Suicide Run", the apparent suicide of a beautiful young starlet turns out to be much more sinister than it seems. In "Cielo Azul", Bosch is haunted by a long-ago closed case - the murder of a teenage girl who was never identified. As her killer sits on death row, Bosch tries one last time to get the answers he has sought for years. In "One Dollar Jackpot", Bosch works the murder of a professional poker player whose skills have made her more than one enemy.

Harry Bosch is facing the end of the line. He's been put on the DROP - Deferred Retirement Option Plan - and given three years before his retirement is enforced. Seeing the end of the mission coming, he's anxious for cases. He doesn't have to wait long. First a cold case gets a DNA hit for a rape and murder which points the finger at a 29-year-old convicted rapist who was only eight at the time of the murder.

Death is my beat. Those words, spoken by the narrator and hero of The Poet, Jack McEvoy, could also apply to Michael Connelly. Time and time again in these riveting pieces, we make the connection between Connelly the crime reporter and Connelly the novelist: On the day I arrived in Los Angeles I sat in the newspaper editor's office being interviewed for a job on the crime beat.