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Poems by Emily Dickinson is a compilation of the poetry of Emily Dickinson in three different series, each composed of the following subjects: Life, Love, Nature, Time, and Eternity.

The notoriously reclusive New England poet broke all the rules of Victorian-era poetry to create a new, uniquely American style. Despite the fact that the majority of the poems recited here were never published in her lifetime, Dickinson remains one of the most influential voices in American literature.

Through her transcendent imagery, distinct punctuation, experimental slant rhyme, and wordplay, Emily Dickinson set herself apart from every other poet of her time. These essential works - thematically divided into poems on life, nature, love, and time and eternity - reveal a keen, humorous observer whose art, like the artist herself, defied tradition.

The life of poet Emily Dickinson provides a window that opens to a world of obsession, creativity, and erotic yearning for the Beloved. Jungian analyst Marion Woodman interlaces biographical insights, archetypal commentary, and Dickinson's poetry to introduce us to the Socratic concept of the "daemon"—a guide and transformative spirit from the other side of consciousness. This fascinating study in feminine psychology discusses the Father Complex, God projection, compulsive relationships, and much more.

Emily Dickinson was one of the most reclusive of all poets. She spent much of her life in seclusion in her father’s house in Amherst, and only a handful of her 1800 poems were published in her lifetime. Credit for the posthumous publication of her work must be given to her editor and friend Thomas W. Higginson, who reported that, in spite of the voluminous correspondence which passed between himself and Dickinson, he only met her twice in person.

A collection of the finest work of one of America's best-loved poets. Despite Dickinson's prolific writing, fewer than a dozen of her poems were published during her lifetime. Critics now consider Dickinson to be a major American poet. Read by Julie Harris.

Emily Dickinson (1830-1886) was a reclusive poet whose only friendships were carried out in correspondence. Despite writing almost 1800 poems in her life, very few were published until after her death. Here, the poems are presented in chronological order in their original form, unaltered by editorial revision, in one volume. It offers a wide-angle view of Dickinson's poetic development, from the clunky rhyme schemes of her youth, through valentines she wrote in the early 1850s, to the gloomy, hell-obsessed writings of her last years.

This highly entertaining anthology of verse is the comic, tragic, tender, and telling story of life's seven ages, from childhood to old age. Within the framework of Shakespeare's speech, "The Seven Ages of Man," performed by Sir Ian McKellen, are 150 great poems from all ages, from Chaucer to Emily Dickinson to Walt Whitman and many others. The poem are presented by the finest cast ever assembled on one recording and includes Ralph Fiennes, Dame Judi Dench, John Cleese, Michael Caine, and more.

On August 3, 1845, young Emily Dickinson declared, "All things are ready" - and with this resolute statement, her life as a poet began. Despite spending her days almost entirely "at home" (the occupation listed on her death certificate), Dickinson's interior world was extraordinary. She loved passionately, was ambivalent toward publication, embraced seclusion, and created 1,789 poems that she tucked into a dresser drawer. In These Fevered Days, Martha Ackmann unravels the mysteries of Dickinson's life through 10 decisive episodes that distill her evolution as a poet.

Part of a new collection of literary voices from Gibbs Smith, written by, and for, extraordinary women - to encourage, challenge, and inspire. One of American’s most distinctive poets, Emily Dickinson scorned the conventions of her day in her approach to writing, religion, and society. Hope Is the Thing with Feathers is a collection of her vast archive of poetry to inspire the writers, creatives, and feminists of today.

Emily Dickinson and Charles Darwin were born at a time when the science of studying the natural world was known as natural philosophy, a pastime for poets, priests, and schoolgirls. The world began to change in the 1830s, while Darwin was exploring the Pacific aboard the Beagle and Dickinson was a student in Amherst, Massachusetts. Poetry and science started to grow apart, and modern thinkers challenged the old orthodoxies, offering thrilling new perspectives that suddenly felt radical—and too dangerous for women.

Discover the fascinating life of Emily Dickinson with "Emily Dickinson Audio Biography." This podcast offers an in-depth exploration of the poet's world, from her early years in Amherst, Massachusetts, to her profound yet secluded existence. Through carefully curated episodes, listeners will hear dramatic readings of her letters, analysis of her groundbreaking poetry, and insights from leading Dickinson scholars. Whether you're a seasoned poetry lover or new to her work, this podcast provides a comprehensive and engaging portrait of one of literature's most intriguing figures. Tune in to ...

It is hard to top the pleasure of a woodland walk in Spring unless of course you have a lyric poet as your guide. Now that is possible with Poets of Nature. Let Walt Whitman, John Keats, Emily Dickinson, Henry David Thoreau, Emily Bronte, and Ralph Waldo Emerson take you into that realm of Nature "where we seldom wander".

This is a tribute to the work of Emily Dickinson and Sara Teasdale, two of the greatest representatives of female American literature. It is a carefully crafted selection of 150 poems, all of them eight lines in length, which are presented face-to-face in pairs—one per author—and with matching themes. In this way, the listener can compare and enjoy the magic of these poets.

Emily Dickinson lived as a recluse in Amherst, Massachusetts, dedicating herself to writing a "letter to the world" - the 1,775 poems left unpublished at her death in 1886. Today, Dickinson stands in the front rank of American poets. This considered collection includes thiry-eight poems that were published between Dickinson's death and 1900. They express her concepts of life and death, of love and nature, and of what Henry James called "the landscape of the soul."

For Wallace Stevens, "Poetry is the scholar's art." Susan Howe—taking the poet-scholar-critics Charles Olson, H.D., and William Carlos Williams (among others) as her guides—embodies that art in her 1985 My Emily Dickinson (winner of the Before Columbus Foundation Book Award). Howe shows ways in which earlier scholarship had shortened Dickinson's intellectual reach by ignoring the use to which she put her wide reading.

Here are some of the finest poems by Emily Dickinson (1830-1886), a unique voice in American poetry. She is known for her short poems, full of acute observations, and deft use of language. This careful but imaginative selection shows the remarkable variety she produced, despite the miniature nature of her medium.

Few of Emily Dickinson’s poems were published in her lifetime. Her posthumous fame is largely due to the efforts of her editors and supporters Thomas W. Higginson and Mabel Loomis Todd.

In this brilliantly original book, Camille Paglia identifies some of the major patterns that have endured in western culture from ancient Egypt and Greece to the present. According to Paglia, one source of continuity is paganism, which, undefeated by Judeo-Christianity, continues to flourish in art, eroticism, astrology, and pop culture. Others, she says, are androgyny, sadism, and the aggressive western eye, which has created our art and cinema.

Emily Dickinson today has gained her deserved place alongside Walt Whitman as one of the two greatest American poets of the 19th century. Beginning always with particulars of personal experience, her poems encompass life and death, love and longing, joyfulness and sorrow. With sparse, precise language, she conveyed a penetrating vision of the natural world and an acute understanding of the most profound human truths.

Como señala Juan Marqués en la presentación, sus poemas "además de ser escritos, en principio, exclusivamente para la inmensa minoría de sí misma, fueron, a un tiempo, complicadísimos y simples, alegres y tristes, transparentes y enigmáticos. Son poemas que acompañan y ayudan a vivir a quien los lee, que enseñan a observar mejor, que obligan a ser más compasivo".