Whilst January's news begins with more of the same ole genAIs doing their thang, because they can, there's now evidence of more concerted effort to control the efforts of creators... because the corporates and policymakers can at least try to do that, right? Well, maybe, but all this has achieved in the past is even more creative energy invested in jumping through the hoops, clambering over the walls and crashing through the hedges - so Happy New Year, we're looking forward to seeing what the amazing machinima creative communities of all engine persuasions around the World can achieve in 2025! Plus, we discuss iClone's new update, a couple of interesting creative projects celebrating content creators in their own ways, as well as interesting milestones.

1:15 SORA-not SORA

6:51 Runway’s Act One

7:39 Face Depth Frame Mancer

9:00 Riot Games dishing the riot act

11:06 Fortnite’s achievements

12:53 Why was Andy Serkis not playing the horse?

14:00 JT Music’s Halo tribute

14:42 Bullet Time Agent

17:14 Reallusion’s iClone update

18:51 After Astartes: this is what happened to Syama Pedersen

Credits -
Speakers: Phil Rice, Damien Valentine, Tracy Harwood
Producer: Damien Valentine
Editor: Phil Rice
Music: Animo Domini Beats

Kicking off 2025 with a review of a classic and iconic #machinima by one of the pioneers of the movement, Paul Marino aka ILLRobinson. I'm Still Seeing Breen, made in HL2, holds a special place in our memories from those early years - not only was it a perfect 'protest piece' as the feature machinima demonstrating its potential for a 2005 Sundance Film Festival panel discussion (alongside RoosterTeeth's RVB) but was further developed for MTV2's Season 2 premiere of its Video Mods TV show later that same year. In this episode, we go over the back story, discuss how this was made and its impact on machinima in general.

1:14 Introduction to film and the Valve 20th anniversary edition of Source Filmmaker updates
5:31 Back story to its release: the snub, the support from Valve, the successes and the features (Ottawa Film Festival, Sundance Film Festival, MTV2 and Tony Shiff, et al)
16:45 The genius of selecting a music video for making machinima!
18:05 Creating the head animation in Source, editing and scene selection
23:00 Communicating and community in the early days
26:30 Why the Gman and why a close-up?
31:00 A watershed moment, a turning point, but the end/beginning of the next phase too
35:00 An inspiration
38:53 A big mistake
41:54 How the games companies robbed the machinima community
44:00 A question for Paul

Credits -
Speakers: Ricky Grove, Phil Rice, Damien Valentine, Tracy Harwood
Producer: Damien Valentine
Editor: Phil Rice
Music: Animo Domini Beats

What a fantastic short to end 2024 on... this week is yet another great creative work by GibbsonTV, released in April. The film is based on the award-winning Roblox-inspired game Lethal Company by Zeekerss. It's not actually machinima, being made in Blender, but in the spirit of being inspired by the game and with a original tale, it has all the right heritage for our show. Check out our comments and add your own - and see you on the other side of the New Year for more creative tidbits.

1:04 Introduction to the film, the game and the rules of storytelling

8:16 Inspired by Alien

10:36 The tools and the craft in storytelling, at times reminiscent of RVB

15:15 Voice acting and AI, and a little disappointment

16:53 Finding a way to be a creative long-term

18:28 Realtime vs 3D animation – the benefit of thinking like a machinimator

19:35 Anachronisms…

21:50 Sound advice?

24:26 Mocap and Damien’s approach to filmmaking

27:32 A demo reel strategy and drawing from the experiences of the early days in machinima

Credits -
Speakers: Phil Rice, Damien Valentine, Tracy Harwood
Producer/Editor: Phil Rice
Music: Animo Domini Beats