Listen free for 30 days
Listen with offer
-
The Compromised Hostilities
- A Drama of the Gouldium
- Narrated by: Benjamin G. Powell
- Length: 1 hr and 4 mins
Failed to add items
Sorry, we are unable to add the item because your shopping cart is already at capacity.
Add to basket failed.
Please try again later
Add to wishlist failed.
Please try again later
Remove from wishlist failed.
Please try again later
Adding to library failed
Please try again
Follow podcast failed
Unfollow podcast failed
£0.00 for first 30 days
Pick 1 audiobook a month from our unmatched collection - including bestsellers and new releases.
Listen all you want to thousands of included audiobooks, Originals, celeb exclusives, and podcasts.
Access exclusive sales and deals.
£7.99/month after 30 days. Renews automatically. See here for eligibility.
The Compromised Hostilities
Narrated by:
Benjamin G. Powell
Buy Now for £6.99
No valid payment method on file.
We are sorry. We are not allowed to sell this product with the selected payment method
Pay using card ending in
By completing your purchase, you agree to Audible's Conditions of Use and authorise Audible to charge your designated card or any other card on file. Please see our Privacy Notice, Cookies Notice and Interest-based Ads Notice.
Summary
In diverse financial scrimmages, Jay Gould and his adversaries fought to survive and prosper in the difficult markets of the early 1880s. This historical drama represents his promptitude against discontented creditors, prompt detractors, and provoked distrusters. This play is one of the Gouldium, a series of dramas on the life and times of Jay Gould. As in most of these plays, there are seven scenes of dialogue and seven choral episodes.
©2012 F L Light (P)2015 Frederick Lazarus Light
activate_Holiday_promo_in_buybox_DT_T2
Critic reviews
"I can certainly endorse the quotation on the back cover: 'The depth of your hatred for Keynesian economics...is dumbfounding.'" (Robert Skidelsky, renowned biographer of Keynes)
"You've blended very well the traditions of Shakespeare, Homer, and the English language sonnet, without erring on the side of pretense. The language is high, direct, and modern. I'm thrilled with these." (Zachary Bos, editor of Sixty Six: The Journal of Sonnet Studies)