
Scaffolding
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Narrated by:
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Lauren Elkin
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By:
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Lauren Elkin
About this listen
Brought to you by Penguin.
The story of two couples who live in the same apartment in north-east Paris almost fifty years apart.
In 2019, Anna, a psychoanalyst, is processing a recent miscarriage. Her husband, David, takes a job in London so she spends days obsessing over renovating the kitchen while befriending a younger woman called Clémentine who has moved into the building and is part of a radical feminist collective called les colleuses.
Meanwhile, in 1972, Florence and Henry are redoing their kitchen. Florence is finishing her degree in psychology while hoping to get pregnant. But Henry isn’t sure he’s ready for fatherhood…
Both sets of couples face the challenges of marriage, fidelity, and pregnancy, against a backdrop of political disappointment and intellectual controversy. The characters and their ghosts bump into and weave around each other, not knowing that they once all inhabited the same space.
A novel in the key of Éric Rohmer, Scaffolding is about the bonds we create with people, and the difficulty of ever fully severing them; about the ways that people we’ve known live on in us; and about the way that the homes we make hold communal memories of the people who’ve lived in them and the stories that have been told there.
Critic reviews
'Scaffolding is ingenious and febrile, delving into the intimacy and implacability of those awakening connections that layer, echoing, throughout our lives - doing so in ways that feel all at once vital, playful, profoundly moving. It’s a beautifully fluid meditation on what is at stake, and who we become, when we desire.' (Sophie Mackintosh)
The novel's ideas and characters are interesting, and I definitely enjoyed the parallel between building works, the psyche, and people in different timelines occupying the same space, as if exploring patterns with the same motifs. I feel, however, that the ideas that structure the book, especially the psychological discussions, take over the narrative and have a life stronger than the one of the story itself. It is as if the book had been conceived around ideas, rather than characters.
This feeling is strengthened by the narrative's arch: the main character, Anna, with all her intellectualising, seems to look for ideas that justify her actions or give her a direction - instead of remembering that other (men) wrote all those ideas she's interested in based on their experience; that experience comes first and theory after. She seems to go on a circular journey and go back to where she started, which is hard to believe. Her 'monster-phase', including de-constructing monogamy, her own ideas about herself and the search for her own 'life force' - were definitely the most interesting part to me, even if they came to a bland conclusion.
Regarding the second narrative line, Henry and Florence - I was left with so many questions!! I make a point of reminding myself that mystery's inherent to storytelling, and go about my day imagining what happened next.
Interesting thoughts, perhaps not fully incorporated
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Enjoyed the narrator’s voice, but found the character (first person) switches difficult to follow initially as delivered in the same tonal range. Became easier as I got accustomed to it.
Thanks
Fresh and thought provoking
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Fairly good, though not memorable
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Makes you think
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Compelling, thought provoking and intelligent
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Unusual philosophical story
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Pretentious and confusing
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It’s read in a monotone which totally suits Anna’s character. She has few friends and continually analyses her life. The most irritating part, that is unapparent to the print reader, is the fact that Anna lives in Paris, is half French and yet cannot be bothered to learn how to pronounce the word Parisian.
If you listen to novels to escape, avoid this line the plague. If you want to explore how a modern day odious person is characterised, it’s done superbly here.
Such dislikable characters
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Not for me
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