
Black Wings Has My Angel
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Narrated by:
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Malcolm Hillgartner
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By:
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Elliott Chaze
About this listen
She had the face of a madonna and a heart of dollar bills.
"I came back and searched dizzily under the trailer, muttering the way drunks do, and then I heard it. A shuffling around inside the trailer. The little tramp had knocked me in the head with her Southern Comfort and now she was in there loading up....She didn't know I was alive."
A legend among noir buffs, Chaze's long-lost pulp classic is the dreamlike tale of a man after a jailbreak who meets up with the woman of his dreams - and his nightmares.
Elliott Chaze (1915 - 1990) was an old-school newspaper man who began his journalism career with the New Orleans bureau of the Associated Press shortly before Pearl Harbor. He worked for a time for AP's Denver office after paratrooper service in World War II, and then migrated south to Mississippi where he spent 20 years as a reporter and award-winning columnist. He is the author of several novels.
©1953 Gold Medal Books; Reprinted by Black Mask 2005, 2009 (P)2010 Blackstone Audio, Inc.Critic reviews
Dark hubris -like a lion to a zookeepers thigh
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Exemplary noir
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great book
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Outstanding forgotten Noir
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A noir thriller from 1953, apparently the book went out of print for many years and the difficulty of getting hold of it added to its aura as a cult classic. It’s now been back in print for a decade or so, and seems to be pleasing its new readership just as much as its reputation suggested. Noir sometimes works for me and sometimes not, so I was intrigued to give it a try at least, especially since the audiobook narrator, Malcolm Hillgartner, has also been highly praised.
Tim is our narrator and in true noir style we know from the beginning that his story is going to end badly. Virginia is the mystery that keeps the suspense going. Will she betray him, or will she share his downfall? The more time Tim spends with her, the more addicted to her he becomes – and it is an addiction, one he often wishes he could shake, but her looks, her sensuality, even her calculating coldness all exert a growing hold over him, so that he finds he can’t face losing her. But what of her? Is there a heart underneath her hard exterior? Does Tim mean anything to her or does she simply see him as a means to an end? Does she feel any of the lust and passion Tim feels for her, or is she just very good at her profession?
This is undoubtedly noir, but not quite as pitch black as some. Tim has a heart and Virginia is ambiguous enough for us not to be sure till quite late on whether she has too. This gives it a kind of emotional warmth despite their actions – there’s not quite the level of amorality as there is in The Postman Rings Twice, for instance, which is way too dark for me. Although this pair are driven by lust and money, you kinda feel they’re both deeper than that – that perhaps there are reasons they are as they are. I found myself liking them both, despite everything, and that meant I was far more interested in their fate than if I’d wholeheartedly despised them. There’s also a strong feeling that they are both emotionally affected by their actions too, that guilt may not be an altogether foreign emotion to either of them, which isn’t generally the case in the blackest noir, I think.
But it’s certainly noir in that there’s no hope of a happy ending, and the sense of impending tragedy grows strongly in the latter stages. We don’t know what the tragedy will be, exactly, but there’s a kind of inexorable quality to it, as if all things are fore-ordained, and once on the path there’s no way to turn off.
"You’ve never heard a siren until you’ve heard one looking for you and you alone. Then you really hear it and know what it is and understand that the man who invented it was no man, but a fiend from hell who patched together certain sounds and blends of sounds in a way that would paralyze and sicken. You sit in your living room and hear a siren and it’s a small and lonesome thing and all it means to you is that you have to listen until it goes away. But when it is after you, it is the texture of the whole world. You will hear it until you die. It tears the guts out of you like a drill against a nerve and it moves into you and expands."
The writing is great, with rather more literary qualities than a lot of pulp noir – it has more depth of characterisation and a wider focus, so that we see the world these two live in rather than being laser-focused on their lust, greed and crimes, though all those aspects are there too.
I loved it – probably my favourite noir novel, though I admit I haven’t read a lot of the genre. I also loved Malcolm Hillgartner’s narration – he is completely believable as Tim and keeps the emotional level just right, relying on little changes in speed or emphasis to increase the tension as the story moves towards its wonderfully dark climax. And one last bit of praise – isn’t it a wonderful cover? Perfect for the story and the expression on the blonde’s face is exactly Virginia.
"She was a creature of moonlight, crazy as moonlight, all upthrusting radiance and hard silver dimples and hollows, built for one thing and only one thing and perfectly for that."
Great book, great narration – highly recommended!
Built for one thing…
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A fine, evocative, tale.
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Revisiting an outdated format and hitting amoral instead of hard-boiled.
Avoid.
Not funny, not clever.
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