
A Talent for Murder
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Narrated by:
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Joan Walker
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Jonathan Oliver
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By:
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Andrew Wilson
About this listen
Agatha Christie, in London to visit her agent, boards a train preoccupied with the knowledge that her husband Archie is having an affair. She feels a touch on her back, loses her balance but is pulled to safety from the rush of the incoming train.
So begins a sequence of terrifying events. Her rescuer is no guardian angel but a blackmailer, and Agatha must use every ounce of her cleverness to thwart an adversary determined to exploit her genius for murder to kill on his behalf.
©2017 Katie Hickman (P)2017 Oakhill PublishingSome how I felt the joke was just on me and though I had many many cracks at this I am calling it a day as seems like the story is taking a turn for the proposterous ... plus just downright hard to listen too with the falling, fading volume on Joan Walker's narration.
Returning as still not sure what to make of it ...
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clear pronunciation
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It was only by perseverance and necessity of long car journeys that I completed this. Most annoying when the character of Agatha read, as couldn’t always hear her. Surely in this technical age someone could have appreciated the difference in tone and volume would have a negative effect on the product. And before you say it was the bits of text I missed that were crucial to my appreciation, I regret that nothing could have saved this tale for me.
Agatha Christie disappoints for the first time
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Both actors do a good job, performing to a very high standard, but the variable of sound levels and the sheer boringness of the story, has made me give up after the irritating policeman has found a "dark brown shoe" ... may or may not be Ms Christie''s.
Well, I don't care actually.
I can't cope with the sheer awfulness of the story.
Sound engineer did a bad job.
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